"You were such a super lady!" - Mike Yanagita (Fargo)
Michael Winterbottom, one of Britain's more daring film-makers, takes a break from feature films to direct "The Shock Doctrine", an interesting documentary based on a book by Canadian journalist Naomi Clein.
The documentary essentially says three things. Firstly, that big corporations in search of new markets benefit when governments import a neoliberal economic system, often as a result of pressure from the US, and that this often has catastrophic consequences for ordinary people.
Secondly, that political leaders have turned to "brutality and repression" to crush protests against their ideologically inspired programmes of privatisation, deregulation and tax cuts.
And thirdly, that certain "shocking events" (The Falkland War, The Gulf Wars, coups in Chile, Argentina and Russia, Hurricane Katrina, 9/11 etc) have been used, or even created, for the purpose of stealthily introducing unpopular reforms in the wake of these crises.
So essentially something big and bad is designed to happen in order to distract the populace from some sneaky law being implemented, or some massive privatization deal being granted. IE- capitalists have taken advantage of natural and man-made disasters in order to promote their free market ideals, or outright concocted such shocks.
Unfortunately, whatever merits the documentary has are eroded by its overly ominous, overly conspiratorial tone. Winterbottom sees macro plots and macro conspiracies, instead of chaos and confusion. He sees complex plans and careful scheming instead of a more general exploitation of opportunity. Yes, the film offers great analysis of corporatism and various authoritarian governments, and highlights how crises are used by governments to coerce people, but this shouldn't be surprising to anyone who realises that governments routinely use coercion even in the absence of shocks. And of course a focus on macro conspiracies misses the mundane conspiracy of simple, white-bread capitalism and debt based banking.
Elsewhere Winterbottom makes a big deal out of Milton Friedman's assertion that reforms are best made during crises. This is odd, since almost every reformer/revolutionary, from Paine to Marx, has said the same thing. Winterbottom also implies that the "crisis equals opportunity" idea is unique to Friedman and that Friendman has "evil intentions", but neither of these claims are particularly believable.
Perhaps the most interesting thing about the documentary is Winterbottom's choice of music. He uses the famous theme tune from the Coen Brothers' film, "Fargo". Thematically it's an apt song choice. "Fargo" pretended to be a "true story" but was really a work of fiction, its lead character (a police detective played by Frances McDormand) learning to suspect everyone and not take people and things at face value. Winterbottom's film may not be entirely convincing, but at least it instills a healthy air of distrust and urges us to question our surroundings.
7.5/10 - This documentary isn't in the same league as Winterbottom's "Road to Guantanamo" and "Welcome to Sarajevo", two of the better political films out there, but it's still fairly interesting and packed with little moments of insight. Props must be given to Channel 4 for funding, not only this documentary and several of Winterbottom's films, but also for financing some of the more daring British film-makers over the past decade.
Worth one viewing.
Michael Winterbottom, one of Britain's more daring film-makers, takes a break from feature films to direct "The Shock Doctrine", an interesting documentary based on a book by Canadian journalist Naomi Clein.
The documentary essentially says three things. Firstly, that big corporations in search of new markets benefit when governments import a neoliberal economic system, often as a result of pressure from the US, and that this often has catastrophic consequences for ordinary people.
Secondly, that political leaders have turned to "brutality and repression" to crush protests against their ideologically inspired programmes of privatisation, deregulation and tax cuts.
And thirdly, that certain "shocking events" (The Falkland War, The Gulf Wars, coups in Chile, Argentina and Russia, Hurricane Katrina, 9/11 etc) have been used, or even created, for the purpose of stealthily introducing unpopular reforms in the wake of these crises.
So essentially something big and bad is designed to happen in order to distract the populace from some sneaky law being implemented, or some massive privatization deal being granted. IE- capitalists have taken advantage of natural and man-made disasters in order to promote their free market ideals, or outright concocted such shocks.
Unfortunately, whatever merits the documentary has are eroded by its overly ominous, overly conspiratorial tone. Winterbottom sees macro plots and macro conspiracies, instead of chaos and confusion. He sees complex plans and careful scheming instead of a more general exploitation of opportunity. Yes, the film offers great analysis of corporatism and various authoritarian governments, and highlights how crises are used by governments to coerce people, but this shouldn't be surprising to anyone who realises that governments routinely use coercion even in the absence of shocks. And of course a focus on macro conspiracies misses the mundane conspiracy of simple, white-bread capitalism and debt based banking.
Elsewhere Winterbottom makes a big deal out of Milton Friedman's assertion that reforms are best made during crises. This is odd, since almost every reformer/revolutionary, from Paine to Marx, has said the same thing. Winterbottom also implies that the "crisis equals opportunity" idea is unique to Friedman and that Friendman has "evil intentions", but neither of these claims are particularly believable.
Perhaps the most interesting thing about the documentary is Winterbottom's choice of music. He uses the famous theme tune from the Coen Brothers' film, "Fargo". Thematically it's an apt song choice. "Fargo" pretended to be a "true story" but was really a work of fiction, its lead character (a police detective played by Frances McDormand) learning to suspect everyone and not take people and things at face value. Winterbottom's film may not be entirely convincing, but at least it instills a healthy air of distrust and urges us to question our surroundings.
7.5/10 - This documentary isn't in the same league as Winterbottom's "Road to Guantanamo" and "Welcome to Sarajevo", two of the better political films out there, but it's still fairly interesting and packed with little moments of insight. Props must be given to Channel 4 for funding, not only this documentary and several of Winterbottom's films, but also for financing some of the more daring British film-makers over the past decade.
Worth one viewing.