8/10
Paging Raymond Ditmars
1 November 2009
Warning: Spoilers
I first came across this film in a review in one of William Everson's compendiums of horror film classics. He spoke quite highly of it, but until tonight I never had seen it.

MURDERS AT THE ZOO has the plus of Lionel Atwill as a big game hunter named Eric Gorman. He is quite an expert on deadly animals and brings them to the zoo in the city he lives in. But his wife Evelyn (Katherine Burke) has a way of attracting younger, and handsomer men to her attention. Atwill is fiendishly possessive and jealous, and proceeds to kill any man who is having an affair with his wife. But he uses his knowledge of the wild and animals (he later explains he loves animals because of their honesty regarding their feelings, including kill or be killed) to destroy these men. We first see him tying up and leaving a man in the jungle to be destroyed by man-eating tigers. But first he sews the man's lips together so he can't lie or kiss another man's wife (or call for help). A close-up of the man with bloodied, threaded face is briefly shown on camera.

On the voyage back home from India Burke meets an American traveler played by John Lodge. Lodge and Burke begin an affair (which Atwill soon is aware of). Atwill pretends he is unaware of it, and invites Lodge to a dinner party (to raise funds for the zoo - this is the depression). At the party Lodge dies, the victim (apparently) of the bite of a green mamba snake that Atwill brought back from India which may have escaped from it's cage. The person that was responsible for the care of the new acquisition is Randolph Scott, here not in his normal western milieu but playing a reptile expert. Scott, with assistant and girl friend Gail Patrick, is struggling to create an anti-toxin for snake venom, particularly those of the deadly Mamba snakes. Atwill jumps to the conclusion that Scott has been criminally negligent regarding watching this deadly snake, and wishes to press charges against him. However, Burke is less willing to believe Scott is responsible, and soon is aware of who is responsible...which is not healthy for her.

The use of a deadly snake for killing purposes goes back to Conan Doyle and "The Adventure of the Speckled Band" in the first collection of Sherlock Holmes short stories. But the character I found interesting here is Scott, the reptile man at the zoo. It is hard for us to realize but in the 1930s Americans were still fascinated by the world of zoos and aquariums and the people who searched for or dealt with rare animals. Frank Buck's book BRING 'EM BACK ALIVE described his adventures hunting and trapping dangerous animals (it was a big best seller). The career of Clyde Beatty, as an animal trapper specialist, was followed and led to his career as a circus entrepreneur. But another figure of interest in New York City (which apparently is the city in this film) was Raymond Ditmars, who was in charge of the reptiles in the city zoos and was a recognizable authority on snakes. It is probable that he is the basis for Scott's character (especially in searching for anti-toxins).

Atwill gives one of his finest performances here, Gorman's fascination with animals being as important as his sexual insanity (hinted at by his weird, occasional smiling stares and Burke's obvious disgust at him). The acting is competent, particularly Scott and Patrick. There is this problem I find with the fans and opponents of poor Charley Ruggles. Playing an alcoholic reporter trying this last chance job as a publicist, Ruggles is drunk in a couple of scenes (not through the entire film), and has a very funny moment when he finds himself next to the missing green mamba snake - leading to a request for information that could only appear in such a film prior to the real enforcement of the code on movies. He plays a major role in finally bringing Atwill to book at the end. And his last appearance (although drunk) is a curious counterpoint to his Major Applegate in BRINGING UP BABY only four years later.

I only have one real problem with this neat little movie - how did Atwill contrive to use his "weapon" without being observed by the people at the dinner? It never is really explained.
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