Arguably the gentleman born in Hannibal Missouri with the arrival of Halley's Comet named Samuel Langhorne Clemens at birth is America's greatest man of letters. Though his character was a great deal more complex than what you see in slightly over two hours Mark Twain, The Adventures Of Mark Twain presents the most positive aspects of his character as realized on screen by Fredric March.
Warner Brothers did a fabulous makeup job on March and his skill as a player makes you really believe you're watching Mark Twain in action. At least this is the public image that Twain liked to convey that of a shrewd observer into the foibles of the nature of man.
One of the things that does show is the love match that was made with Olivia Langdon and Sam Clemens. It's not much of a part in terms of something to work with, but Alexis Smith is a kind and loving help mate to March something the real Olivia was to Clemens. Mark Twain's private life contained not a hint of scandal in all of his 76 years on earth.
In wartime especially American audiences liked to see those values affirmed. But with the deaths of Olivia and a favored daughter, the shrewd cynicism of Twain multiplied exponentially. What we don't see in the last several years of his life Twain becoming a brooding pessimist about life and the afterlife in general. The rollicking humorist that wrote about the Jumping Frog Of Calaveras County became an almost Stephen King like figure when his posthumous story The Mysterious Stranger was published. If there's a more pessimistic work out there, I'd like to know about it.
When Alexis Smith says to March in the film that he's captured youth itself on page, she was referring to Tom Sawyer. In that and to an even greater extent in Huckleberry Finn, Twain was able to channel his Mississippi childhood into the book. It's not the adult Twain who observes human nature in either book, but it's the child Sam Clemens. That's the power both works have and they are what set Mark Twain's name firmly among literary immortals.
The Adventures Of Mark Twain received three Oscar nominations, for Special Effects, for Art&Set Direction, and for its musical score by Max Steiner. Special mention should also go to Donald Crisp who plays Twain's literary agent especially for the lengths at which he goes to find the guy who published that jumping frog story under a pseudonym.
The Adventures Of Mark Twain succeeds in capturing the public Mark Twain and the private Sam Clemens. I think the viewer will like both of them when they see the film.
Warner Brothers did a fabulous makeup job on March and his skill as a player makes you really believe you're watching Mark Twain in action. At least this is the public image that Twain liked to convey that of a shrewd observer into the foibles of the nature of man.
One of the things that does show is the love match that was made with Olivia Langdon and Sam Clemens. It's not much of a part in terms of something to work with, but Alexis Smith is a kind and loving help mate to March something the real Olivia was to Clemens. Mark Twain's private life contained not a hint of scandal in all of his 76 years on earth.
In wartime especially American audiences liked to see those values affirmed. But with the deaths of Olivia and a favored daughter, the shrewd cynicism of Twain multiplied exponentially. What we don't see in the last several years of his life Twain becoming a brooding pessimist about life and the afterlife in general. The rollicking humorist that wrote about the Jumping Frog Of Calaveras County became an almost Stephen King like figure when his posthumous story The Mysterious Stranger was published. If there's a more pessimistic work out there, I'd like to know about it.
When Alexis Smith says to March in the film that he's captured youth itself on page, she was referring to Tom Sawyer. In that and to an even greater extent in Huckleberry Finn, Twain was able to channel his Mississippi childhood into the book. It's not the adult Twain who observes human nature in either book, but it's the child Sam Clemens. That's the power both works have and they are what set Mark Twain's name firmly among literary immortals.
The Adventures Of Mark Twain received three Oscar nominations, for Special Effects, for Art&Set Direction, and for its musical score by Max Steiner. Special mention should also go to Donald Crisp who plays Twain's literary agent especially for the lengths at which he goes to find the guy who published that jumping frog story under a pseudonym.
The Adventures Of Mark Twain succeeds in capturing the public Mark Twain and the private Sam Clemens. I think the viewer will like both of them when they see the film.