1/10
The problem of this movie is Bushido...
8 February 2010
Warning: Spoilers
It's easy to understand the dilemma of this movie. Although it was produced and written by German veteran Bernd Eichinger and directed by Uli Edel, who brought us 'Wir Kinder vom Bahnhof Zoo', the fact that it is with and about German rapper Bushido kills off their momentum.

In fact, I assume, that all efforts of making an 8-mile-like biopic about Bushido are simply money-related. This movie and the upcoming Bushido album are supposed to create a synergy, that equals a cash printing license.

This alone would be business, but the problem is, as I mentioned, Bushido himself. To make a biopic about someone, that someone needs to have an interesting story. And quite frankly: Bushido, or Anis, does not. The overall ark about his father problems is way too thin to hold all of it together and where Eminem was living in a real sh*t hole in 8 Mile, Bushido had a caring mother, a relatively stable youth and no real back story, why he became what he is today.

To link 9/11 with his initial decision to begin with rap, is in case it is just storytelling very dumb. If it is actually true, it proves my point, that his story is not worth making a movie about.

Given the basics of Bushidos relatively uninspired life, the script can't be good - Eichinger tried as hard as he could to give the film some structure, but it doesn't work out. That leads to uninspired performances by all German veteran actors in Zeiten ändern dich, like Hannelore Elsner and Moritz Bleibtreu.

And than there is Bushidos own acting. The final scene with his father that is supposed to show some sense of forgiveness is a perfect example for it: He just doesn't deliver. It should have been the most important bit of the movie, but it lacks emotion and... yes, acting abilities.

1/10 is my vote for this one. Not because it is a real 1/10, maybe it would be up to 2 or 3. It's because it has a crew and cast, who could have easily delivered a really good film - one that had a real story to tell. Eichinger produced the Oscar-nominated Downfall and now it comes to this... a all time low in his career.
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