Look Around You (2002–2005)
10/10
A masterpiece in comedy
15 February 2010
Look Around You is quite possibly my favourite comedy show ever. (Particularly series 2, which this review relates more to.)

A lot of people might not see why it's so funny, and I can understand that reaction. After all, it's pretty slow-paced and has hardly any "jokes".

All I can tell you is that when I watch an episode, I sit there laughing hysterically almost uninterrupted for 30 minutes. (And I'm not someone who laughs out loud much while watching TV.)

So what's so good about Look Around You? For me, there are five main reasons:

1. ACCURACY. First, it's funny because it's an uncannily accurate pastiche of early 80s educational programmes. The attention to detail is staggering, and it's those little details that are funny. Things like over-use of camera zooming; the announcer noisily opening his mouth before speaking; the somewhat more formal manner of TV presenters of the time. It's all so subtly done, and all these subtle little details are where the humour lies. If you don't fondly remember 70s/80s television, this will be lost on you completely.

2. SURREALISM. Hidden below the surface of this apparently serious TV programme are all kinds of completely off-the-wall, surreal elements (such as people flying, or people french-kissing in the most inappropriate of contexts). But these surreal elements are usually either very brief or not immediately obvious, giving them more comedy impact when they do surface. For me, Look Around You is bit like one of those "What's wrong with this picture?" drawings: at first all seems to be normal, but when you notice something is "wrong", it's extremely rewarding and funny.

3. IMPRACTICAL INVENTIONS. A large part of the fun of the programme is that almost all the inventions are impractical, idiotic, dangerous, or often downright sinister and creepy; yet they are all presented in the most cheerfully optimistic manner. As with the surreal elements, a lot of the fun comes from "spotting" that something is very wrong with the invention, despite the presenter assuring you that all is well.

4. NOSTALGIA. Humour aside, I just can't help but adore this programme for the nostalgic quality. It's a heart-warming trip back in time to my childhood, only with the tongue-in-cheek sensibility of a contemporary comedy show.

5. TALENT. On top of it all, I have such admiration and respect for creators Peter Serafinowicz and Robert Popper. These men are creative geniuses. Writing and producing the show, they also created all the music themselves, and every piece of music is utterly outstanding in every way, from the title theme, to the unforgettable entrants for "Music 2000" competition (which I can't stop singing/rapping). There seems to be no end to the talents of these two men. They also both make extremely charismatic and likable TV presenters. Watching the show, it is quite clear how much care, attention and scrutiny these men have put into every detail.

Overall, this is just a perfect comedy series for me. The Prince Charles finale (with the two "Hanks" at the end) is an amazing conclusion. I only wish there were more episodes.
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