7/10
Huggin' and a kissin', dancin' and a lovin'.
14 March 2010
Love Camp, AKA Divine Emanuelle, sees dusky sexploitation star Laura Gemser as The Divine One, the manipulative leader of a hippie, free-love sex-cult called The Children of Light. With the help of her blond second-in-command Dorian (played by the film's director Christian Anders), and tough 'hench-people' Veronica (the obligatory lesbian) and Tanga (musclebound Sascha Borysenko), she uses her hold over her followers to increase her wealth: rich converts are convinced to part with their cash, whilst more nubile members of the cult are instructed to sell themselves for sex. Anyone who breaks the rules, or who no longer wishes to participate in the cult's free-love ideal, are allowed to leave—whereupon they are killed by Tanga and thrown down a deep chasm.

The Divine One is keen to secure the wealth of Dorian's latest convert, senator's daughter Patricia (Simone Brahmann), but with her blond cohort gradually falling in love with the girl, the senator most displeased with his daughter's choice of friends, and an undercover cop in the midst of the commune investigating the mysterious disappearances of several members, it looks as though her days as a cult leader are numbered. Time to break out the high explosives and stage a Jim Jones style massacre...

Any Laura Gemser movie with Emanuelle in its name (or one of its 'Also Known As' titles) pretty much guarantees copious amounts of nudity; most of them, however, also deliver fairly dismal story lines, dreadful direction and ultimately, a rather dull time for the viewer. Technically, Divine Emanuelle is not much better than the majority of Gemser's softcore sex flicks, but it does have the advantage of being absolutely hilarious. Crazy musical numbers accompanied by gyrating hippies; lame scenes of torture and humiliation; Tanga the Barbarian publicly deflowering a virgin; a naked woman doing the splits; a black guy playing the air guitar; Anders giving his best Bruce Lee impersonation; a groovy, tripped-out seventies vibe, despite being made in 1981; and tons of near-the-knuckle naughtiness: this one packs so much lunacy into its running time that it's almost impossible not to enjoy.

So enjoy!
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