More plot-heavy than most. The trio are Texas Rangers trying to bust up a silver mine operation that's luring Mexican illegals (sound familiar?) across the border. On the way, they have to get past a cantankerous Mexican senorita (Drake) and a petty tyrant—hanging judge (Simpson). Some good scenery, especially the roaring Kern River, long a favorite of these oaters. Clever action climax does a neat twist on the old circle-the-wagons maneuver. I also like the charming dinner scene with the Commandant (Renaldo) that's well scripted and nicely played.
There's also a couple of interesting lesser-knowns to add to the stars-of-the-future list (Mitchum, Reeves, Renaldo). Claudia Drake managed a shot at immortality by landing a key role in the noir cult classic Detour (1945). Here, she gives a spirited performance as the willful senorita that really over-shadows everyone else. However, perhaps most notable and surprising is the screenplay. It's credited to Michael Wilson who later penned such A-list classics as A Place in the Sun (1951), Bridge on the River Kwai (1957), and Lawrence of Arabia (1962), among others. A victim of the early-50's blacklist, several of these were written undercover, but have since been restored to his credit list. Here, the plot deals with such potential political themes as exploited workers, a company town, and a rich man making up his own laws. So, perhaps Wilson's participation is not so surprising after all.
There's also a couple of interesting lesser-knowns to add to the stars-of-the-future list (Mitchum, Reeves, Renaldo). Claudia Drake managed a shot at immortality by landing a key role in the noir cult classic Detour (1945). Here, she gives a spirited performance as the willful senorita that really over-shadows everyone else. However, perhaps most notable and surprising is the screenplay. It's credited to Michael Wilson who later penned such A-list classics as A Place in the Sun (1951), Bridge on the River Kwai (1957), and Lawrence of Arabia (1962), among others. A victim of the early-50's blacklist, several of these were written undercover, but have since been restored to his credit list. Here, the plot deals with such potential political themes as exploited workers, a company town, and a rich man making up his own laws. So, perhaps Wilson's participation is not so surprising after all.