Of the three Hallmark movies watched on a sequestered Saturday night of a holiday weekend, this, as expected, was the best of the lot.
Cynthia Tamerline (Jordan Ladd), a highfalutin hot-shot reporter for a Manhattan celebrity mag, is sent by her editor to the midlands of America to write a feature for a sister publication about a small-town wishing well, to spark her up and teach her a lesson. Upon arrival, she finds that nobody there has heard of her prestigious calling card, but they all love the down-home tips in the homemakers' magazine she's actually there to report for.
Cynthia rushes through her assignment in order to get back to her privileged life in New York, but makes a wish at the well before she leaves. (How to be happy?) She falls asleep on the plane, and wakes up in an alternate universe, back in the town she just left, penniless, and dependent upon a job at the town's tiny newspaper. The rest of the movie deals with Cynthia's transition into humanity.
This movie is well-executed all around, except that one must agree with an earlier reviewer that our heroine makes the transition from grumpy city girl to breezy small-town lass much too quickly, i.e., just after her very first newspaper assignment, which is to cover a funeral that is so sparsely attended that she is recruited as a pallbearer.
Cynthia Tamerline (Jordan Ladd), a highfalutin hot-shot reporter for a Manhattan celebrity mag, is sent by her editor to the midlands of America to write a feature for a sister publication about a small-town wishing well, to spark her up and teach her a lesson. Upon arrival, she finds that nobody there has heard of her prestigious calling card, but they all love the down-home tips in the homemakers' magazine she's actually there to report for.
Cynthia rushes through her assignment in order to get back to her privileged life in New York, but makes a wish at the well before she leaves. (How to be happy?) She falls asleep on the plane, and wakes up in an alternate universe, back in the town she just left, penniless, and dependent upon a job at the town's tiny newspaper. The rest of the movie deals with Cynthia's transition into humanity.
This movie is well-executed all around, except that one must agree with an earlier reviewer that our heroine makes the transition from grumpy city girl to breezy small-town lass much too quickly, i.e., just after her very first newspaper assignment, which is to cover a funeral that is so sparsely attended that she is recruited as a pallbearer.