.....of War" But as reasons, they cited production values centering on shooting locations, authentic sets, care in staging shots, and other technical aspects of production. No one said the very obvious: "Remembrance" is better than "Winds" because of the higher caliber of acting. Jane Seymour's nuanced portrayal of Natalie was certainly better than Ali McGraw's one-dimensional haughty, petulant and flibbertigibbet Natalie. Gielgud was more professorial and a really convincing intellectual Jew compared to Houseman. His delivery of that sermon on the biblical Job as a "stinking Jew" (an epithet Jews were required by the SS to use in introducing themselves in the concentration camps) was very moving. The noble but conflicted Byron characterization by Hart Bochner is certainly not the shallow hot in the pants Byron portrayed by Jan Michael Vincent. For some reason, I also preferred the Warren Henry of Michael Woods over that of Ben Murphy who wasn't bad at all but Woods had the charisma or the "glow about him" that Pamela Tudsbury (Victoria Tennant) described. Polly Bergen's acting or maybe her role as Rhoda much improved in "Remembrance" because in "Winds" she was just this overly excited and artificially cheerful navy housewife bowled over by the seeming glamor of Nazi Germany. Now in "Remembrance" she displays a fuller range of acting descending into regret and downright pathos as she realized that she flirted away her marriage and family. I realize I may not be being fair in blaming the actors named. For all we know, Herman Wouk's screen writing skills improved in the five-year interim between "Winds" and "Remembrance." Similarly, Curtis' directorial savvy may have also improved. And that brings me to the matter of comparison between the book and the screenplay. The film generally succeeds in bringing to the TV audience the gist of the story (stories actually) in "Remembrance," but actually it is not a faithful rendition of the book's narrative. Certain contrivances were used to bring key characters to interact with each other to get the audience into the flow of the epic. For example, in the film Pug and Armin von Roon were personally acquainted or even friends in a sort of way. But in the book they never met as far as I can recall. Admiral Henry was writing a memoir or a postwar analysis of the battles and the conduct of the war and was using a book written by Von Roon as a reference which he was refuting on several points. I was somewhat sympathetic to the Von Roon character in the book but still he was presented as somewhat of an opportunist who supported Hitler as long as he was winning the war and turned against him only when Germany was losing. In the film, however, Von Roon (excellently played by Jeremy Kemp) was shown to be an early critic of Hitler and hinted at as one of the plotters of the failed assassination of the Fuhrer.
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