American football star Flash Gordon (Sam Jones), scientist Hans Zarkov (Topol), and pretty estate agent Dale Arden (Melody Anderson) are blasted to the farthest reaches of space to fight Ming the Merciless (Max Von Sydow), the tyrannical ruler of Mongo, who has been subjecting The Earth to a series of violent attacks in the form of freak weather conditions and terrible catastrophes.
Featuring blond pretty boy Sam Jones in the title role, some of the most garish costumes in the history of cinema, cheesy dialogue galore, a catchy pop/rock soundtrack by Queen, poorly constructed props (and a few rather suggestive looking ones), marvellously hammy performances from a fine collection of cult character actors (including Department S's Richard Wyngarde, Rocky Horror's Richard O'Brien and good old Brian Blessed), and spectacularly ropey special effects (all wires clearly visible), Flash Gordon is quite possibly the most gleefully daft, over-the-top, knowingly tacky, and outrageously flamboyant sci-fi film ever made.
Don't be put off by the fact that the film is perfect for a themed night at the local gay bar, though—Flash Gordon might be camper than a row of tents, as the saying goes, but there really is something for everyone but the most joyless of movie pedants: we get fantastical floating worlds that predate those in Avatar by three decades, there's pet dwarfs, crazy laser battles, a whip-wielding dominatrix, assorted sexy bints in skimpy outfits, and even a little 'gore' (both Ming and his henchman Klytus meet nasty fates)—PLUS for every shot of our hero in a tight T-shirt or leather hot-pants, we get several of the gorgeous Ornella Muti (as Ming's sultry daughter Princess Aura) in her figure hugging red catsuit, easily rivalling Buck Rogers' Erin Gray in the sexy Spandex stakes. Melody Anderson as Dale isn't exactly ugly either, and also gets to wear some very revealing get-ups.
Hell, even Blue Peter fans are catered for, with '80s presenter Peter Duncan appearing as a tree dweller whose hand is attacked by a slimy vacuum cleaner bag with a poisonous sting in its tail. Now that's what I call entertainment!
Featuring blond pretty boy Sam Jones in the title role, some of the most garish costumes in the history of cinema, cheesy dialogue galore, a catchy pop/rock soundtrack by Queen, poorly constructed props (and a few rather suggestive looking ones), marvellously hammy performances from a fine collection of cult character actors (including Department S's Richard Wyngarde, Rocky Horror's Richard O'Brien and good old Brian Blessed), and spectacularly ropey special effects (all wires clearly visible), Flash Gordon is quite possibly the most gleefully daft, over-the-top, knowingly tacky, and outrageously flamboyant sci-fi film ever made.
Don't be put off by the fact that the film is perfect for a themed night at the local gay bar, though—Flash Gordon might be camper than a row of tents, as the saying goes, but there really is something for everyone but the most joyless of movie pedants: we get fantastical floating worlds that predate those in Avatar by three decades, there's pet dwarfs, crazy laser battles, a whip-wielding dominatrix, assorted sexy bints in skimpy outfits, and even a little 'gore' (both Ming and his henchman Klytus meet nasty fates)—PLUS for every shot of our hero in a tight T-shirt or leather hot-pants, we get several of the gorgeous Ornella Muti (as Ming's sultry daughter Princess Aura) in her figure hugging red catsuit, easily rivalling Buck Rogers' Erin Gray in the sexy Spandex stakes. Melody Anderson as Dale isn't exactly ugly either, and also gets to wear some very revealing get-ups.
Hell, even Blue Peter fans are catered for, with '80s presenter Peter Duncan appearing as a tree dweller whose hand is attacked by a slimy vacuum cleaner bag with a poisonous sting in its tail. Now that's what I call entertainment!