I've been digesting The Social Network for a few days now, and I'm still not sure I'm ready to offer up my thoughts on it. It's rare for a film to make such an impact on me; true, Toy Story 3 tugged at my heartstrings, while Inception raped my mind, but The Social Network appeals to me on a different level. Perhaps it's because of its relevance to our times, like last year's Up in the Air. Unlike that film, though, The Social Network is especially pertinent to me, because Facebook is such a huge part of my life. It's something that (quite literally) connects us all, much like the shared experience of seeing a movie; this is even more true in this case, as the screening I attended was "sold-out," a free screening for Ohio State students. It's thrilling to think how each of us is a part of the story in some way. We are among the hundreds of millions who made this site the success it is; thus, the controversy. Thus, the film.
David Fincher follows up his beautiful, haunting Benjamin Button with something completely different. Set in our times, and on our computer screens, the drama of The Social Network isn't confined to a fantastical take on the past. Instead, it's a thrilling look at our present. Fincher directs a cast full of young, fresh faces through performances that show their potential and hint at their future success. He keeps the film moving at a perfect pace, building an appropriate momentum that matches the intense success story that is Facebook.
The structure is gorgeous, too. When the film first cuts to one hearing, then the other (as the film's tagline says, Zuckerberg makes a few enemies), you'll likely feel lost. There's no way to ground yourself in the images you're absorbing; the film just throws you in. This brilliant bit of editing portends the morally questionable path Zuckerberg heads down while also reflecting the very nature of Facebook. Just as you're unsure what exactly is happening in these first glimpses of the legal proceedings, so are Zuckerberg and company unsure of what Facebook is going to become. Numerous times throughout the film, characters admit to "not knowing what it is." It's huge, epic in a way that few things are. It spans the globe while being limited to screens. It's something profoundly modern, but handled with the film- making mastery of cinema's finest auteurs.
Perhaps the highlight of the film is Aaron Sorkin's phenomenal screenplay. The dialogue flies fast and sharp, ably including the techno-babble but tempering it with humor and enough layman's terms to keep the audience in the loop. The inclusion of multiple points of view lends the film a sense of fairness and accuracy. Of course you expect that there's exaggeration for the sake of being more cinematic, dramatic, or entertaining, but the extensive attention paid to each character makes the story easier to believe than other films based on true stories.
Sorkin's words sound perfectly acidic and natural coming out of Jesse Eisenberg. Eisenberg deserves awards attention for his performance as Zuckerberg; this is the role that will hopefully catapult him to the star status he so deserves (and has received in moderation after great turns in Adventureland and Zombieland). Andrew Garfield continues to impress as cofounder Eduardo Saverin; he now has three fantastic turns under his belt for the year, with Never Let Me Go yet to come (in my neck of the woods, at least).
Justin Timberlake's involvement in the film likely gave some film aficionados pause, but he's a natural fit for Napster founder Sean Parker. He exudes confidence, energy, and just the right amount of sleaziness. Also worth noting is Rooney Mara, who has a small role but does big things with it, and will get her chance to shine under Fincher's direction again as Lisbeth Salander in the American take on The Girl With the Dragon Tattoo.
At two hours, The Social Network is a long movie but it never feels like it. The film possesses an elegance of design not unlike that of the website it revolves around. Every aspect of the film is handled just so; from the gorgeous cinematography to the great cast, from the fitting editing to the unforgettable writing. The Social Network is, perhaps, the film of the year. It's timely and timeless, a combination that few films can ever hope to achieve.
David Fincher follows up his beautiful, haunting Benjamin Button with something completely different. Set in our times, and on our computer screens, the drama of The Social Network isn't confined to a fantastical take on the past. Instead, it's a thrilling look at our present. Fincher directs a cast full of young, fresh faces through performances that show their potential and hint at their future success. He keeps the film moving at a perfect pace, building an appropriate momentum that matches the intense success story that is Facebook.
The structure is gorgeous, too. When the film first cuts to one hearing, then the other (as the film's tagline says, Zuckerberg makes a few enemies), you'll likely feel lost. There's no way to ground yourself in the images you're absorbing; the film just throws you in. This brilliant bit of editing portends the morally questionable path Zuckerberg heads down while also reflecting the very nature of Facebook. Just as you're unsure what exactly is happening in these first glimpses of the legal proceedings, so are Zuckerberg and company unsure of what Facebook is going to become. Numerous times throughout the film, characters admit to "not knowing what it is." It's huge, epic in a way that few things are. It spans the globe while being limited to screens. It's something profoundly modern, but handled with the film- making mastery of cinema's finest auteurs.
Perhaps the highlight of the film is Aaron Sorkin's phenomenal screenplay. The dialogue flies fast and sharp, ably including the techno-babble but tempering it with humor and enough layman's terms to keep the audience in the loop. The inclusion of multiple points of view lends the film a sense of fairness and accuracy. Of course you expect that there's exaggeration for the sake of being more cinematic, dramatic, or entertaining, but the extensive attention paid to each character makes the story easier to believe than other films based on true stories.
Sorkin's words sound perfectly acidic and natural coming out of Jesse Eisenberg. Eisenberg deserves awards attention for his performance as Zuckerberg; this is the role that will hopefully catapult him to the star status he so deserves (and has received in moderation after great turns in Adventureland and Zombieland). Andrew Garfield continues to impress as cofounder Eduardo Saverin; he now has three fantastic turns under his belt for the year, with Never Let Me Go yet to come (in my neck of the woods, at least).
Justin Timberlake's involvement in the film likely gave some film aficionados pause, but he's a natural fit for Napster founder Sean Parker. He exudes confidence, energy, and just the right amount of sleaziness. Also worth noting is Rooney Mara, who has a small role but does big things with it, and will get her chance to shine under Fincher's direction again as Lisbeth Salander in the American take on The Girl With the Dragon Tattoo.
At two hours, The Social Network is a long movie but it never feels like it. The film possesses an elegance of design not unlike that of the website it revolves around. Every aspect of the film is handled just so; from the gorgeous cinematography to the great cast, from the fitting editing to the unforgettable writing. The Social Network is, perhaps, the film of the year. It's timely and timeless, a combination that few films can ever hope to achieve.