Ensign Pulver (1964)
Making this sequel was really going overboard
1 October 2010
If ever there was a great movie that did NOT cry out for a sequel, it was "Mister Roberts," with its gruff, poignant, perfect ending. A bad sequel like "Ensign Pulver" is particularly disappointing.

The setting here is the same as in the earlier classic -- a scroungy old Navy vessel on the fringes of the Pacific Theater late in World War II. This movie is built around Ensign Frank Pulver, the sidekick of Mister Roberts in the original movie. Unfortunately, Robert Walker Jr., who plays Pulver here, can't match the original screen Pulver, Jack Lemmon. It's almost like they're playing different people.

That's the main problem, I think, too much tinkering with familiar characters. The focus of "Mister Roberts" was the battle of wits and wills between the idealistic Roberts (Henry Fonda) and the embittered captain (James Cagney). But in this film, the captain (now played by Burl Ives) finds himself psychoanalyzed by Pulver. Cagney's captain was hard to like but easy to understand, while Ives' version is as complicated as a Tennessee Williams character.

And how about Doc? In "Mister Roberts," he was portrayed by an older actor, William Powell, in one of his last roles. A counterpoint to the captain, Doc was a man who had grown wise, not cynical, with age. Walter Matthau, though a fine actor, is a much younger Doc in this one, and one who's not particularly wise. He's just another madcap guy in a madcap crew.

"Mister Roberts" had a lot of wonderful laughs, but ultimately it was dead serious about World War II. If you've seen it, you know what I mean. But in "Ensign Pulver," the greatest conflict in history is just an excuse for humdrum hijinks. It's really too bad.
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