9/10
The key word is double
16 May 2011
Warning: Spoilers
It seems we have to get out of the States to see Noir cinema again, to be able to get that corrosive and disturbing feeling that appears to be the essence of a good mystery. In a world populated by individuals with lives that are full of mystery and characters flaws. It is a requirement of good film noir that no one is perfect. This become painfully obvious from the first frames, as we observe how even love might never be anything but flawed, feeble attempts at meeting the right person.

The two main characters are introduced in a club where simple dates, relationships might develop. It's because of the director's sure hand, the writer's clever development of the story, and primarily an amazing set of lead performers that don't mind being led in impossible directions as we unravels the mystery.

Two souls find love in the unlikeliest of places. They get to know each hesitantly. In a very ironic twist, lives are destroyed, literally and psychologically. This even before the end of the first act, when before mysteries are revealed, there is much to learn and try to understand.

What are we witness to? a clueless group of people who might or not be involved some organized group, or is it just someone's hyperactive activity? Or is it just an old-fashioned ghost story? We take the same twisting turns in the movie we are watching. We pick a favorite, and we hope she or he is not involved with the masterminds who orchestra the murder of a policeman.

It is challenging, frustrating, and a bit long, it keeps us watching, and we haven't seen this kind of pull in a movie for a long time.
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