Unusual movie, not quite horror but also not quite black comedy either. As another reviewer said, it resembles Psycho or Peeping Tom with it's focus on psychology and even relentless presence of camera - but those themes aren't explored further, they're there just to add another touch of weirdness. On the other hand, film is also one part exploitation, with some nude scenes to oogle here and there. Psychology is the most interesting part: Cheryl is written well as a needy but neglected teenager who is creeped out by the neighbor photographer, but too flattered to resist - and what little glimpses of Aunt Martha and George we have, are interesting. Sadly, acting is below average, except for Lucille Benson who is quite good, leading actress Ayn Ruymen in particular speaks her lines as if she hears them for the first time (which adds to the exploitation feel). The ending is at the same time great and unsatisfying. The scene is cut away in the middle of final fight, and next ten minutes we are left wondering what happened next, while director taunts us with daylit scenes of two cops searching the premises - very effective way to present aftermath. On the other hand, a lot is left half-explained, and this film in particular doesn't benefit from that. The final appearance of Cheryl is a pretty cliché final twist, one that you see coming, but hope that director will have more imagination. It's an unusual and quirky film that many will find interesting, but don't expect a masterpiece.
Review of Private Parts
