Kill the Irishman tells the story of Danny Greene and his rise from rags to riches through the mob and their many attempts at killing him. Being of Irish decent, the aspect of this one Irish guy who kept getting on the Italian mob's nerves, it peaked my interest.
The film has a great story to tell and I can only imagine how amazing the film would have been if they had a director like Martin Scorsese behind the camera. That's what I kept feeling while I watched this film, that it was a Scorsese wannabe. That's not exactly a bad thing, because I did enjoy the film, but I wanted to enjoy it so much more.
There are aspects of the film that are great and if a masterful craftsman were behind the camera than I can honestly see this film being one of the best of the year. The film feels short on a lot of things, mainly the small things that would have made this film great. The relationship between him and his wife was nonexistent. The smaller characters played by Christopher Walken, Val Kilmer and Vinnie Jones deserved more screen time. There was a relationship between Stevenson and Kilmer that was interesting, as one was a cop and the other a known mobster, but the film decided not to dive any further than two scenes. I hate to throw Goodfellas into the mix, but had the story been crafted more like that film, then this could have been great.
The story is based on true events, with some liberties of course. Some of the special effects, like the car bombings are incredibly poor. A story like this deserves a bit more attention to detail from the writer and director. It felt like they loved the story, but didn't know exactly how to tell it. Again, if they had proper backing in the budget department, then this film would have been really great. The car bombing scenes are really poorly done and this is such an integral part of the film. Some of them are actual explosions, others aren't. It's poor production values, stick with the real thing.
Kill the Irishman is a good movie when it should be a great movie. In terms of gangster flicks, it's one of the better ones. It's nowhere near the calibre of Goodfellas or Donnie Brasco. It feels like the odd film that wants to be apart of the family. It just falls short of admittance. A good film is good film though.
The film has a great story to tell and I can only imagine how amazing the film would have been if they had a director like Martin Scorsese behind the camera. That's what I kept feeling while I watched this film, that it was a Scorsese wannabe. That's not exactly a bad thing, because I did enjoy the film, but I wanted to enjoy it so much more.
There are aspects of the film that are great and if a masterful craftsman were behind the camera than I can honestly see this film being one of the best of the year. The film feels short on a lot of things, mainly the small things that would have made this film great. The relationship between him and his wife was nonexistent. The smaller characters played by Christopher Walken, Val Kilmer and Vinnie Jones deserved more screen time. There was a relationship between Stevenson and Kilmer that was interesting, as one was a cop and the other a known mobster, but the film decided not to dive any further than two scenes. I hate to throw Goodfellas into the mix, but had the story been crafted more like that film, then this could have been great.
The story is based on true events, with some liberties of course. Some of the special effects, like the car bombings are incredibly poor. A story like this deserves a bit more attention to detail from the writer and director. It felt like they loved the story, but didn't know exactly how to tell it. Again, if they had proper backing in the budget department, then this film would have been really great. The car bombing scenes are really poorly done and this is such an integral part of the film. Some of them are actual explosions, others aren't. It's poor production values, stick with the real thing.
Kill the Irishman is a good movie when it should be a great movie. In terms of gangster flicks, it's one of the better ones. It's nowhere near the calibre of Goodfellas or Donnie Brasco. It feels like the odd film that wants to be apart of the family. It just falls short of admittance. A good film is good film though.