Review of Miss Bala

Miss Bala (2011)
5/10
Social collateral damage and hopelessness
14 October 2011
Warning: Spoilers
Miss Bala tries to deal with one type of the social "collateral damage" of the ongoing Mexican war on drugs: people who are unwillingly thrown into the battle. An interesting premise.

The film starts well, as a beauty queen wannabe gets stuck in the wrong place at the wrong moment, and becomes involved with a gang after making a series of naive and very stupid decisions.

The depiction of violence and corruption is very good in this part, without resorting to the stereotypes of alleged miserable lives. The narcos' communication system as they drive their trucks rings very true.

But after a while, Miss Bala goes down the slope into a crash landing. The main character ends up being an unpaid slave to the narco boss, without ever showing the minimum sign of rebellion and never really having a moment of joy. The reasons behind the narco moves become more and more incoherent, as does the activity of DEA agents and police forces. The last shootout lacks any logic. The director's sense of timing gets lost and the whole film becomes a blurry mess. Loopholes abound in the script.

Perhaps the authors wanted the main character to be totally passive, but by doing this, they portray her as a person without attributes, without real dreams (it seems she didn't even care about being Miss Baja), without true emotions or feelings. Was she a lost dog or a zombie? The acting leads to the second opinion.

Finally, the movie sends a message of hopelessness. It depicts a society of stupid cowards and puppets ruled by criminals and corrupt officials with no way out. I find it odd that it was publicly financed.
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