That's what all the characters, with the exception of Andrea, are - dead, emotionally; as one of them says 'I'm like a dry river bed'. A group of young men with a penchant for drugs, girls and parties decide to try and break into the heavily controlled pornography industry in Nice with a cynical ingénue called Laure as their main product. The film charts the disintegration of all the characters as drugs, guns, sexual excess and the pornographic industry take their toll on each life. Even Andrea, the film's conscience, is eventually consumed by this world and its trappings.
Laure is a commodity amongst all the men except Andrea, the guy who unwittingly introduces her to the other when they are dabbling in soft porn photography. Laure, described as 'purity in a brutal world', is used as the film's narrator to reflect on life. Her reflections are frequently accompanied by repeated visuals of her removing make-up after the making of one particular pornographic film that we are left knowing is destroying Laure.
This film is a critique of pornography's production and the feckless upper (middle) class of Nice who have money and influence enough to seduce and take advantage of those vulnerable with ambition and aspiration, such as Laure. It is most certainly not a film noir and it is really bizarre that it has been described as such by others. The director critiques the belief that 'straight or porn {films}, the camera's the same' and Laure's naive belief that posing topless is no different from making a pornographic film. It is and the camera of a porn film does not treat its actors well. The women of the porn industry want to make it as mainstream actresses or like Laure be a big name, someone significant. Their expectations of achieving this through porn are disappointed.
Early on Laure asks: 'isn't fate the assertion that the game is up?' The ending has an inevitability that seems fated as life calls time on the game the characters play. The concluding events whilst unsurprising are still brutal and shocking.
Laure is a commodity amongst all the men except Andrea, the guy who unwittingly introduces her to the other when they are dabbling in soft porn photography. Laure, described as 'purity in a brutal world', is used as the film's narrator to reflect on life. Her reflections are frequently accompanied by repeated visuals of her removing make-up after the making of one particular pornographic film that we are left knowing is destroying Laure.
This film is a critique of pornography's production and the feckless upper (middle) class of Nice who have money and influence enough to seduce and take advantage of those vulnerable with ambition and aspiration, such as Laure. It is most certainly not a film noir and it is really bizarre that it has been described as such by others. The director critiques the belief that 'straight or porn {films}, the camera's the same' and Laure's naive belief that posing topless is no different from making a pornographic film. It is and the camera of a porn film does not treat its actors well. The women of the porn industry want to make it as mainstream actresses or like Laure be a big name, someone significant. Their expectations of achieving this through porn are disappointed.
Early on Laure asks: 'isn't fate the assertion that the game is up?' The ending has an inevitability that seems fated as life calls time on the game the characters play. The concluding events whilst unsurprising are still brutal and shocking.