Hate to start a review backward, but I must mention my absolute love of Big Trouble in Little China. Coming from W.D. Richter and hearing of his association with Buck Bonzai, I finally made time to check this one out and see what all the cult fuss was.
So if I like BTILC, I can totally understand a rabid fans loyalty to an overlooked classic. Hence, I won't trash on the Buck Bonzai people who adore this, because it had completely the opposite impression on me. A directionless mash-up of chaotic scenes (mostly chase) that involve a multi-faceted nuerosurgeon, a race of reptilian space crusaders, a troubled woman, and a mad scientist. There's lots of action, and pretty pictures to look at, but most of its ambitions lie in intentionally being incoherent. Like, "Hey, this is kind of oddball, maybe the audience will take it for what it is."
Now, many have. Buck Bonzai is an eccentric mess of indiscriminate themes and antics involving part space opera and half governmental schtick. But its focus changes too often for the goal to be taken seriously. Though I will agree with the diehards that the end credits sequence is one of the most catchy in film history.
So if I like BTILC, I can totally understand a rabid fans loyalty to an overlooked classic. Hence, I won't trash on the Buck Bonzai people who adore this, because it had completely the opposite impression on me. A directionless mash-up of chaotic scenes (mostly chase) that involve a multi-faceted nuerosurgeon, a race of reptilian space crusaders, a troubled woman, and a mad scientist. There's lots of action, and pretty pictures to look at, but most of its ambitions lie in intentionally being incoherent. Like, "Hey, this is kind of oddball, maybe the audience will take it for what it is."
Now, many have. Buck Bonzai is an eccentric mess of indiscriminate themes and antics involving part space opera and half governmental schtick. But its focus changes too often for the goal to be taken seriously. Though I will agree with the diehards that the end credits sequence is one of the most catchy in film history.