Review of Cavalcade

Cavalcade (1933)
3/10
Obviously, sentimentality and lifelessness do not mix
4 January 2012
Warning: Spoilers
For those of you keeping up with my retrospective on all the Best Picture winners up to now, you will know these writers, directors and actors were still not accustomed to the transition to talkies, but they were slowly getting the hang of it. And on top of it all, they were even taking advantage of the visual medium. The sets, the ability to shoot on location, the cinematography, the lighting, and down the road, the color of the film itself all helped contribute all kinds of creative ways for these filmmakers to either make the impossible possible, or reliving the past. King Kong, a film that came out in 1933, is one of those films that accomplished this task and so much more.

But unfortunately, we're not reviewing King Kong today because it didn't win Best Picture. It wasn't even nominated. What won instead, unfortunately, was a film that made no attempt at all to take advantage of what film as a medium has to offer; Cavalcade. Yeah, they adapted one of the drollest of plays into a feature film, and people actually loved it.

What's the story? It's the life of an English couple from the New Years Eve of 1899 up until then-present day 1933 as they experience historical events include the Second Boer War, the death of Queen Victoria, the sinking of the Titanic, and World War I among many other things. And within the now-reasonably short running time of 110 minutes, then that means the film's going to be either exciting or rushed. This film is anything but exciting; it's dull as a rock. There is absolutely no soul in this picture at all.

And the picture is indeed rushed. These events are just glanced over for no good reason other than to show that they lived through them, and they never seem to show how much they impacted them or the world around them. There's nothing interesting about these characters or this story whatsoever. And what's worse is that these events don't seem to impact the viewer in any way because those scenes are executed in a manner identical to those of a play; you never see these events happen. Come, on! We already had 2 War films win Best Picture in the past; where's the budget? Where are the calamities? For a sentimental film, this film sure does feel devoid of any real emotions.

And that's why I call this film dull and soulless; there's no logic or reason, no critical thinking, not even pure sentimental hogwash. At least all the previous nominees had a semblance of a soul; this film doesn't. This film is completely static and unmoving to say the least. The acting is boring, the characters are boring, and the story is boring. There is nothing positive to say outside of the fact that the premise had promise. More extravagance (to help these events leave a bigger impact), about 20 or 30 more minutes added to the running time, and more interesting characters. That is all that is needed to make this film any good. So while the film is pretty bad, it is salvageable. I would just skip it if I were you. 2.5 out of 10 rounded up to 3 out of 10.
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