"The Last Hard Men", based on the novel "Gun Down" by Brian Garfield of "Death Wish" fame, is an effectively harsh, intense Western made in the Peckinpah style, utilizing the common Western theme of changing times and the weary veterans coming to terms with this reality.
Charlton Heston displays quiet strength as former lawman Sam Burgade, whose nemesis Zach Provo (James Coburn) has escaped from a road gang with his accomplices. Provo, a half breed, is obsessed with exacting vengeance upon Burgade after a past shootout had resulted in the death of Provo's wife. As Burgade puts it, vengeance is basically all that Provo lives for now and that there would be a big hole in his life to fill without that hatred. Provo's particularly insidious plan involves the kidnapping of Burgade's daughter Susan (ever lovely Barbara Hershey), upon whom Provo will unleash his drooling degenerate pals if Burgade doesn't come to face him.
Give this movie, directed by Western pro Andrew V. McLaglen, credit for going to a place not typically considered in the Western by having the outlaw gang actually force itself on poor Susan. The violence is also definite post-"The Wild Bunch" stuff with a fair bit of the red stuff flowing as the movie goes along. As would be important for any Western, the scenery is shown in all of its breathtaking glory, and the period recreation handled well. The music score by the consistently reliable Jerry Goldsmith hits all the right, rousing notes. As the climactic action plays out, it's equal parts suspenseful and exciting.
Coburn oozes menace as the seething, vengeance-crazed Provo, and his gang is comprised of men such as Jorge Rivero, Thalmus Rasulala (who unfortunately doesn't get a whole lot to do), Larry Wilcox of CHiPs, Morgan Paull, John Quade, and Robert Donner. Quade is especially good as a true creep. Christopher Mitchum, son of Robert, also comes off well as the "greenhorn" who Burgade realizes he has underestimated. But the most interesting performance in the whole thing is that by Michael Parks, playing the low key, reform minded, not terribly efficient sheriff.
"The Last Hard Men" is good if not great, and is a suitably entertaining movie while it lasts.
Seven out of 10.
Charlton Heston displays quiet strength as former lawman Sam Burgade, whose nemesis Zach Provo (James Coburn) has escaped from a road gang with his accomplices. Provo, a half breed, is obsessed with exacting vengeance upon Burgade after a past shootout had resulted in the death of Provo's wife. As Burgade puts it, vengeance is basically all that Provo lives for now and that there would be a big hole in his life to fill without that hatred. Provo's particularly insidious plan involves the kidnapping of Burgade's daughter Susan (ever lovely Barbara Hershey), upon whom Provo will unleash his drooling degenerate pals if Burgade doesn't come to face him.
Give this movie, directed by Western pro Andrew V. McLaglen, credit for going to a place not typically considered in the Western by having the outlaw gang actually force itself on poor Susan. The violence is also definite post-"The Wild Bunch" stuff with a fair bit of the red stuff flowing as the movie goes along. As would be important for any Western, the scenery is shown in all of its breathtaking glory, and the period recreation handled well. The music score by the consistently reliable Jerry Goldsmith hits all the right, rousing notes. As the climactic action plays out, it's equal parts suspenseful and exciting.
Coburn oozes menace as the seething, vengeance-crazed Provo, and his gang is comprised of men such as Jorge Rivero, Thalmus Rasulala (who unfortunately doesn't get a whole lot to do), Larry Wilcox of CHiPs, Morgan Paull, John Quade, and Robert Donner. Quade is especially good as a true creep. Christopher Mitchum, son of Robert, also comes off well as the "greenhorn" who Burgade realizes he has underestimated. But the most interesting performance in the whole thing is that by Michael Parks, playing the low key, reform minded, not terribly efficient sheriff.
"The Last Hard Men" is good if not great, and is a suitably entertaining movie while it lasts.
Seven out of 10.