Austria has been hitting aces with films like THE COUNTERFEITERS and REVANCHE and again with BREATHING, the country proves it has got what it takes to be considered amongst quality film making countries.
The film is small and poignant driven by a brave, bold and haunting performance by Thomas Schubert. The boy delves deep into the character and comes up with a nuance and sincerely enriched performance stating that he clearly lived every second of the film and literally felt the character making him able to wear the character over himself like a costume.
The supporting cast was adequate and served their purpose decently.
Karl Markovics is a known actor who inspired me with his acting skills in THE COUNTERFEITERS but here he comes up with an even better film and inspires with his directing and writing skills. The scenes were meticulously crafted, the feelings of the reclusive lead character were so rich that one watching the film can easily feel the mental pain and torture that he goes through.
The scenes i like best were when the Schubert releases the trapped bird, it carefully tells how his character has evolved into someone less brutal and caring person.
The score by Herbert Tucmandl and cinematography by Martin Gschlacht was cool and provided with the accurate mood of the film; dense, low but yet beautiful.
This movie might not be appealing to everyone but the lovers of art-drama films will surely cherish this small gem from Austria.
The film is small and poignant driven by a brave, bold and haunting performance by Thomas Schubert. The boy delves deep into the character and comes up with a nuance and sincerely enriched performance stating that he clearly lived every second of the film and literally felt the character making him able to wear the character over himself like a costume.
The supporting cast was adequate and served their purpose decently.
Karl Markovics is a known actor who inspired me with his acting skills in THE COUNTERFEITERS but here he comes up with an even better film and inspires with his directing and writing skills. The scenes were meticulously crafted, the feelings of the reclusive lead character were so rich that one watching the film can easily feel the mental pain and torture that he goes through.
The scenes i like best were when the Schubert releases the trapped bird, it carefully tells how his character has evolved into someone less brutal and caring person.
The score by Herbert Tucmandl and cinematography by Martin Gschlacht was cool and provided with the accurate mood of the film; dense, low but yet beautiful.
This movie might not be appealing to everyone but the lovers of art-drama films will surely cherish this small gem from Austria.