The House I Live In is a very informative work of advocacy that's only thinly masquerading as a documentary. It's a more reformed, nuanced version of a Michael Moore piece that has a clear point of advocacy aimed squarely at whatever practical center still exists. It doesn't hit you over the head with a message or misleading facts but squarely lets you arrive at the conclusion that the drug war has failed.
It's not an anti-corporate rant with a clear villain to rally against. I left thinking that there was enough material and story there to easily fill a mini-series or a Ken Burns style documentary without getting preachy or creating fatigue.
It has enlightening and entertaining moments, but there are many flaws in the storytelling. Many characters are introduced, many of which with too much or not enough background, and seem to float around their promised purpose without really landing at a point or purpose. (Given the ending theme of the work, perhaps this is intentional.)
David Simon's incredibly powerful monologues bring a saving grace to moments in the film that tend to struggle, especially moments where the director awkwardly inserts himself into the film.
Unlike a lot of similar works, you could probably take your Republican parents to see it without the evening being automatically ruined.
Unlike almost every other advocacy piece I've seen, it achieves its goal of starting a conversation, rather than ending one.
It's not an anti-corporate rant with a clear villain to rally against. I left thinking that there was enough material and story there to easily fill a mini-series or a Ken Burns style documentary without getting preachy or creating fatigue.
It has enlightening and entertaining moments, but there are many flaws in the storytelling. Many characters are introduced, many of which with too much or not enough background, and seem to float around their promised purpose without really landing at a point or purpose. (Given the ending theme of the work, perhaps this is intentional.)
David Simon's incredibly powerful monologues bring a saving grace to moments in the film that tend to struggle, especially moments where the director awkwardly inserts himself into the film.
Unlike a lot of similar works, you could probably take your Republican parents to see it without the evening being automatically ruined.
Unlike almost every other advocacy piece I've seen, it achieves its goal of starting a conversation, rather than ending one.