I was hooked by the promos. Although I like period dramas, usually my preferences tend more toward much earlier times. The atmosphere, the setting, even the costumes on "Copper," however, bespoke something unusual.
The actors are spot-on. Their characterizations are very human, making them both likable and unlikeable. Justice is often dispensed based on situational ethics rather than word of law. This is refreshing, since we don't have to root for every one, every time.
The writing, production values, even the editing make the show compelling and the unanswered questions persuade me to come back each episode to see how the plot is furthered. While we still don't have the larger answers, there is enough going on in the foreground so that this is not a drawback. It makes the denouement worth waiting for.
I have favorites among the characters, of course, but have a couple of unfavorites, as well: Eva, the friends-with-benefits "businesswoman" who, apparently doesn't mind snuffing out any potential rivals for someone who, in the end, will never be hers, anyway (she's quite awful: who would want to be?) and the evil child we've seen in so many horror movies that I, for one, can't muster up even a modicum of sympathy for. They and a smattering of others simply elicit the "Can't wait for this one to buy it" response.
It's outstanding in the current field. This, alas, means it probably will have a short shelf-life, as so many imaginative, non-generic shows do. I sincerely hope, however, that this proves the exception.
The actors are spot-on. Their characterizations are very human, making them both likable and unlikeable. Justice is often dispensed based on situational ethics rather than word of law. This is refreshing, since we don't have to root for every one, every time.
The writing, production values, even the editing make the show compelling and the unanswered questions persuade me to come back each episode to see how the plot is furthered. While we still don't have the larger answers, there is enough going on in the foreground so that this is not a drawback. It makes the denouement worth waiting for.
I have favorites among the characters, of course, but have a couple of unfavorites, as well: Eva, the friends-with-benefits "businesswoman" who, apparently doesn't mind snuffing out any potential rivals for someone who, in the end, will never be hers, anyway (she's quite awful: who would want to be?) and the evil child we've seen in so many horror movies that I, for one, can't muster up even a modicum of sympathy for. They and a smattering of others simply elicit the "Can't wait for this one to buy it" response.
It's outstanding in the current field. This, alas, means it probably will have a short shelf-life, as so many imaginative, non-generic shows do. I sincerely hope, however, that this proves the exception.