6/10
Master class
8 December 2012
Warning: Spoilers
The whole show here is Jeremy Brett who must've known these were just so-so mysteries and average TV fodder. He rises way above the proceedings by conceiving Holmes as a flawed, quick-tempered bully, with a clear dislike for the poor. And it's all the more interesting for it. Brett's camping it up a bit, but you can't look away. Imagine how you'd read any line he's given, and what expression you should wear to appear sincere; and in that same time, 3 or more motives/reactions/revelations have flashed across Brett's face like lightening. One of the expressions is always contempt or superiority.

But Moriarty is a crappy nemesis. Plot lines in which a noisy, lower class character barges in on someone always turn out to be Holmes in disguise. This ruse was also feeble when lifted for the Wild Wild West TV show.

As with the Poirot mysteries, the plots are total boilerplate, and nothing can be solved by a viewer. If you had to choose between viewing one of the two, it's a toss-up. Brett's Holmes is a far-more interesting piece of acting, and only one dullard is underfoot (Watson is provided so Holmes can appear brilliant and give voice to his mental processes). Suchet nails Poirot, but Poirot is such a 1-dimensional martinet that there's no payoff. The additional penalty for choosing the Poirot series is you have endure TWO dullards (Japp, Hastings) because Agatha Christie knew zip about character. 3 or 4 of her plot lines/solutions are stunners though.
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