Reversal of Fortune is a dramatization of a real-life attempted murder case, as documented in the book by the same title which was written by Alan M. Dershowitz, defense attorney to the main suspect, Claus von Bülow. The film works as a solid little courtroom drama with an intriguing story, a clever script and an impressive cast; but it doesn't go the extra mile into something more than a daytime TV movie. It tries hard to break the mold - most notably, by having much of the film narrated by the victim - but at heart, it remains a very plain legal drama; and emotionally, it maintains a dry, distant coldness that doesn't allow the viewer to care about anything that's going on. That feeling of emotional disconnection leads to a film with a steady pace, with no highs and lows, and with no real climaxes or tension. In other words - rather dull, and unless you really pay attention to the details of the case, there's nothing much to grab onto.
It's also worth mentioning that the film's poster, as well as Jeremy Irons's Oscar win, is more than a bit misleading, because Irons and Glenn Close aren't really the main characters, though the story revolves around them; and in fact Irons's performance is completely over-the-top and certainly not up to the standards he set two years earlier with his masterful work on Dead Ringers. The majority of the film revolves around Ron Silver, who plays Dershowitz himself; and while Silver's performance is understated and quiet, it's also the strongest one in the film. But it's just not enough to give it any emotional or moral weight and to keep the whole thing together, because the viewer doesn't care about Dershowitz winning or losing the trial any more then they do about Von Bülow being found guilty or not.
It's also worth mentioning that the film's poster, as well as Jeremy Irons's Oscar win, is more than a bit misleading, because Irons and Glenn Close aren't really the main characters, though the story revolves around them; and in fact Irons's performance is completely over-the-top and certainly not up to the standards he set two years earlier with his masterful work on Dead Ringers. The majority of the film revolves around Ron Silver, who plays Dershowitz himself; and while Silver's performance is understated and quiet, it's also the strongest one in the film. But it's just not enough to give it any emotional or moral weight and to keep the whole thing together, because the viewer doesn't care about Dershowitz winning or losing the trial any more then they do about Von Bülow being found guilty or not.