Horrendous vanity production is of interest only to show how an out of control ego and years of self delusion can lead to a public shredding of an carefully constructed image. Mae is supposed to be the adored object of the world but her teetering presence and ossified appearance cause the viewer concern for her well being more than anything else. After decades of carefully maintaining her public persona she was somehow induced to return to the screen to sully her reputation with the double whammy of Myra Breckinridge and this abominable travesty. A horrifying train wreck of a film only to be watched by someone with a love of bad, really bad, cinema.
