Slipstream (1989)
1/10
So that'll be more voice-over work for you then, Mr. Hamill.
1 June 2013
1989—six years after the third and final chapter in the Star Wars trilogy: Harrison Ford is a Hollywood megastar, Carrie Fisher is a best-selling novelist, and even Warwick Davis is enjoying the high life, having been leading man in Ron Howard's fantasy flick Willow. Mark Hamill, on the other hand, is struggling to find anything other than minor TV roles and voice-over work since hanging up his light sabre. Could a major role in Star Wars producer Gary Kurtz's post apocalyptic sci-fi Slipstream be just the thing to revive his flagging career?

Does a wookie like losing? Does C3PO enjoy space travel? Is George Lucas any good at writing dialogue?

Despite Hamill's best efforts, the actor putting in a respectable performance as a ruthless bounty-hunter out to apprehend an android suspected of murder, Slipstream is a monumental stinker of a movie, one that attempts to be both popcorn entertainment and cerebral sci-fi, but which fails in both departments. Horribly flawed, charmless, and disjointed, this misjudged mess boasts soporific direction, dreadful characterisation, a rousing score that is completely incongruous to all that it accompanies, and (Hamill apart) terrible acting, with Bill Paxton giving one of the most irritating performances I have ever seen (God only knows how his career continued to thrive after this fiasco).
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