As a musician I'm nearly always disappointed by films which intend to show musical performances (one exception is the 1947 film CARNEGIE HALL, which is otherwise a poor film). Though I'm certainly not a Liberace fan, I was pleasantly surprised by not just the plentiful musical sequences but that they generally played full excerpts without unusual cuts. Even when there are cuts (as in, obviously, Tchaikovsky's Piano Concerto no. 1), the excerpts begin and end at totally appropriate moments. I gather that Liberace or his brother George (credited as a music director) had something to do with this.
Liberace can't really act (his face rarely shows any kind of emotion), but at least the film is not boring. It's fascinating to watch the color - you almost need sunglasses for those 1950s styles.
Liberace can't really act (his face rarely shows any kind of emotion), but at least the film is not boring. It's fascinating to watch the color - you almost need sunglasses for those 1950s styles.