It really should be no surprise that Pink Floyd of all bands could put together such a fantastic live performance. PULSE is one of the best live sets I have ever seen, but for the longest time Live at Pompeii eluded my attention. The first twelve minutes and the last twelve minutes of the movie are devoted to the best version of "Echoes" that I have ever heard. Other songs included in the set are "One of These Days", "A Saucerful of Secrets", and "Set the Controls for the Heart of the Sun". Depending on which version you watch, you will also get a glimpse of the band working in the studio on tracks for Dark Side of the Moon.
The cinematography of the movie has already been complimented upon by numerous reviewers, but it is definitely worth complimenting again, because it is so good. The actual interviews with band members vary in quality. Most interviews with Roger Waters involve him just messing with the interviewer. Mason and Gilmour are alright, but the best interview of the film is probably with the most under-appreciated member of the band, keyboardist Richard Wright. I watched this movie under the impression that is was only live set, and instead became an interesting mixture of live performances of music video quality intertwined with interviews and just filming the band hanging out in the studio. It almost seems like a documentary, and it works refreshingly well.
If I had to give the highlights of the performances, I would say that "Echoes" is a very obvious choice and is by far the highlight of the set. A not so obvious second in my opinion is "Careful With That Axe Eugene". This song manages to be so menacing yet subtle that I just can't help but like it. In both cases I find these performances superior to the studio recordings. The main detractor of this film is that "Echoes" is broken up into two parts. With a song so psychedelic and epic, it is such a shame it was cut in half. If the movie ended with the song in its entirety, it would have been almost perfect.
The cinematography of the movie has already been complimented upon by numerous reviewers, but it is definitely worth complimenting again, because it is so good. The actual interviews with band members vary in quality. Most interviews with Roger Waters involve him just messing with the interviewer. Mason and Gilmour are alright, but the best interview of the film is probably with the most under-appreciated member of the band, keyboardist Richard Wright. I watched this movie under the impression that is was only live set, and instead became an interesting mixture of live performances of music video quality intertwined with interviews and just filming the band hanging out in the studio. It almost seems like a documentary, and it works refreshingly well.
If I had to give the highlights of the performances, I would say that "Echoes" is a very obvious choice and is by far the highlight of the set. A not so obvious second in my opinion is "Careful With That Axe Eugene". This song manages to be so menacing yet subtle that I just can't help but like it. In both cases I find these performances superior to the studio recordings. The main detractor of this film is that "Echoes" is broken up into two parts. With a song so psychedelic and epic, it is such a shame it was cut in half. If the movie ended with the song in its entirety, it would have been almost perfect.