Netflix has scored again with Lilyhammer. This show is primarily a comedy and I find myself laughing out loud during every episode.
Imagine a cross between Al Pacino and Archie Bunker and you have a fair understanding of the main character, Frank Tagliano (Steven Van Zandt)--a mobster who turns state's evidence and goes into the Witness Protection Program in, of all places, Norway. This is a fish-out-of-water story that gives Frank plenty of cultural differences to deal with. He is a guy who leads with his fists inserted into a pacifist environment.
Before he leaves the states, he is warned that if he gets in trouble with the law in Norway, he is on his own. So we know up-front, that this story can go either of two ways. In Lillehammer, Frank deals with an eccentric cast of characters and the viewer never knows which direction the story will take. The series finds humor in the most interesting places.
Much of the humor has an agenda. It takes a playful jab at anti-terrorist paranoia, for example. Bureaucracy is often the target.
The scenery is beautiful. The music is eclectic and very enjoyable. The cast does a good job with the multi-cultural narrative. The dialogue is in both English and Norwegian, but subtitles are used and it is never difficult to understand what is happening.
There are unmistakable reminders of Fargo. And the quirkiness of the locals might remind you of Local Hero (a great film to emulate). Frank's approach to "justice" is reminiscent of Walking Tall or Death Wish or the other vigilante movies.
I am midway through the second season and enjoying the ride very much. I do not recommend the series to anyone squeamish about violence or raw language. For anyone else, I highly recommend Lilyhammer.
Imagine a cross between Al Pacino and Archie Bunker and you have a fair understanding of the main character, Frank Tagliano (Steven Van Zandt)--a mobster who turns state's evidence and goes into the Witness Protection Program in, of all places, Norway. This is a fish-out-of-water story that gives Frank plenty of cultural differences to deal with. He is a guy who leads with his fists inserted into a pacifist environment.
Before he leaves the states, he is warned that if he gets in trouble with the law in Norway, he is on his own. So we know up-front, that this story can go either of two ways. In Lillehammer, Frank deals with an eccentric cast of characters and the viewer never knows which direction the story will take. The series finds humor in the most interesting places.
Much of the humor has an agenda. It takes a playful jab at anti-terrorist paranoia, for example. Bureaucracy is often the target.
The scenery is beautiful. The music is eclectic and very enjoyable. The cast does a good job with the multi-cultural narrative. The dialogue is in both English and Norwegian, but subtitles are used and it is never difficult to understand what is happening.
There are unmistakable reminders of Fargo. And the quirkiness of the locals might remind you of Local Hero (a great film to emulate). Frank's approach to "justice" is reminiscent of Walking Tall or Death Wish or the other vigilante movies.
I am midway through the second season and enjoying the ride very much. I do not recommend the series to anyone squeamish about violence or raw language. For anyone else, I highly recommend Lilyhammer.