An admirable film, both in intent and execution, but one which somehow never had the devastating impact it's tragic story would seem to deserve.
Part of a long line of films showing the incredible hardships kids who are orphaned and left to the streets face (e.g. 'Pixote') in this case there is a powerful political facet as well. A middle- class Kurdish journalist and his wife are gunned down in front of their young children (a boy, a girl and an infant) by Turkish paramilitary troops seemingly bent on silencing political opposition. The children are left to fend for themselves, ending up out on the street before long. They are ignored by most before finally settling in with some other street kids, and a prostitute who treats the young girl with kindness. This leads to a plot twist I won't give away here, but one with considerable punch.
So why wasn't I more blown away by this well-meaning film? I think it's because I felt a sense of slickness and manipulation. The film is shot with a certain reserve. Instead of hand-held camera, or a feeling of verite, there's a distance in the pretty, but almost Hollywood like cinematography. Unlike 'Pixote' or DeSica's best work, I could feel the strings being pulled, and so found my heart resisting. Also, while the 10 year old Senay Orak is truly amazing as the sister, much of the other acting in the film feels stiff and unnatural. I was always aware I was watching a movie, not real life.
I feel awful not loving the film more. It's heart is surely in the right place in bringing a tragic social and political situation to light. I wish it could have moved me to the tears it seemed trying so hard – too hard – to do. None-the-less, it's good enough that I would urge people to see it and judge for themselves.
Part of a long line of films showing the incredible hardships kids who are orphaned and left to the streets face (e.g. 'Pixote') in this case there is a powerful political facet as well. A middle- class Kurdish journalist and his wife are gunned down in front of their young children (a boy, a girl and an infant) by Turkish paramilitary troops seemingly bent on silencing political opposition. The children are left to fend for themselves, ending up out on the street before long. They are ignored by most before finally settling in with some other street kids, and a prostitute who treats the young girl with kindness. This leads to a plot twist I won't give away here, but one with considerable punch.
So why wasn't I more blown away by this well-meaning film? I think it's because I felt a sense of slickness and manipulation. The film is shot with a certain reserve. Instead of hand-held camera, or a feeling of verite, there's a distance in the pretty, but almost Hollywood like cinematography. Unlike 'Pixote' or DeSica's best work, I could feel the strings being pulled, and so found my heart resisting. Also, while the 10 year old Senay Orak is truly amazing as the sister, much of the other acting in the film feels stiff and unnatural. I was always aware I was watching a movie, not real life.
I feel awful not loving the film more. It's heart is surely in the right place in bringing a tragic social and political situation to light. I wish it could have moved me to the tears it seemed trying so hard – too hard – to do. None-the-less, it's good enough that I would urge people to see it and judge for themselves.