People really love to write off Tom Cruise in the press these days, and "Edge of Tomorrow" was getting all kinds of nasty publicity leading up to its release: rumours of re-shoots, bad screenings, etc. Whatever his personal beliefs may be, at the end of the day Cruise is just an actor on screen, and this movie is a firm reminder of what an enigmatic presence he is.
Now in his early 50s, Cruise is making some of the best action films around, and Edge of Tomorrow is no exception. Based on a manga novel published in Japan, the plot is essentially Groundhog Day by way of Starship Troopers or...something like that.
The movie's low point is when it tries to explain too heavily the process by which Cruise's character is able to relive the same day over and over again, because at the end of the day it's just a Macguffin to be able to explore the concept. But the movie's strength is that it places its human story first (as corny as that may sound), as Cruise's character undergoes an emotional and physical transformation. It also features a highly capable female lead, brought to life by the charismatic Emily Blunt. If this were a Michael Bay film, the role would have existed solely as a love interest, but this movie doesn't succumb to such banal (and frankly, sexist) tripe. She is a worthy presence alongside Cruise and is one of the strongest sci-fi heroines since Sigourney Weaver in Alien.
Speaking of which, that's the other movie this reminded me of: Aliens. Bill Paxton chewing up the scenery as a drill sergeant probably had something to do with that.
I loved this movie. I saw it three times. Despite the press writing it off as a colossal bomb upon release due to its modest opening, it had spectacular legs, and crossed $100 mil domestic. It ultimately wasn't the box office behemoth the studio may have wished for, but people using it as evidence of Cruise's 'failing career' may be wise to look at the full picture: its worldwide gross ranks it as one of his highest money- makers ever.
This movie will develop a following on home video and I wouldn't be surprised if they somehow attempt to revisit it one day, whether it's through a lower budget prequel or a spin-off or another manga. Who knows. They should probably leave well enough alone, because it's that rare sci-fi summer blockbuster that has it all: brains, wit and thrills. All the people who flocked to the latest Transformers movie would have been doing themselves a favor by seeing this instead.
Now in his early 50s, Cruise is making some of the best action films around, and Edge of Tomorrow is no exception. Based on a manga novel published in Japan, the plot is essentially Groundhog Day by way of Starship Troopers or...something like that.
The movie's low point is when it tries to explain too heavily the process by which Cruise's character is able to relive the same day over and over again, because at the end of the day it's just a Macguffin to be able to explore the concept. But the movie's strength is that it places its human story first (as corny as that may sound), as Cruise's character undergoes an emotional and physical transformation. It also features a highly capable female lead, brought to life by the charismatic Emily Blunt. If this were a Michael Bay film, the role would have existed solely as a love interest, but this movie doesn't succumb to such banal (and frankly, sexist) tripe. She is a worthy presence alongside Cruise and is one of the strongest sci-fi heroines since Sigourney Weaver in Alien.
Speaking of which, that's the other movie this reminded me of: Aliens. Bill Paxton chewing up the scenery as a drill sergeant probably had something to do with that.
I loved this movie. I saw it three times. Despite the press writing it off as a colossal bomb upon release due to its modest opening, it had spectacular legs, and crossed $100 mil domestic. It ultimately wasn't the box office behemoth the studio may have wished for, but people using it as evidence of Cruise's 'failing career' may be wise to look at the full picture: its worldwide gross ranks it as one of his highest money- makers ever.
This movie will develop a following on home video and I wouldn't be surprised if they somehow attempt to revisit it one day, whether it's through a lower budget prequel or a spin-off or another manga. Who knows. They should probably leave well enough alone, because it's that rare sci-fi summer blockbuster that has it all: brains, wit and thrills. All the people who flocked to the latest Transformers movie would have been doing themselves a favor by seeing this instead.