The Getaway (1941)
3/10
Crime does not pay, but then neither again do poor scripts.....
10 March 2015
Warning: Spoilers
The "Crime Does Not Pay" series at MGM was a fast-moving collection of shorts, a variety of different situations of the law battling less than law-abiding citizens. Graff, murder, robbery, jail breaks and even an illegal baby racket were amongst the plot lines in this long-running part of MGM's shorts division. What is noticeable about these shorts is the fact that many of them couldn't be expanded past their 20 minute running time, and when MGM did get on the crime racket in their feature films, they weren't as successful as what Warner Brothers had done the decade before with Cagney and Robinson. Even then, Warners was the king of the gangster film, with those two still in the running and Bogart, John Garfield and George Raft more adept than the second stringers at MGM who were given on-screen screen tests in "B" features like this in order to prove their meddle.

Here, it is young Robert Sterling playing the lead, and he tries to prove his toughness in prison by kicking his seemingly tired bunkmate out of the lower berth. A violent but comical scene follows, but there's more to Sterling than meets the machine gun. Before you know it, he's on the run after a prison escape with a very young (and non-dancing) Dan Dailey and by some accident encounters Dailey's worried sister (Donna Reed) who has been searching for him. Charles Winninger offers comic relief as a doctor who appears to be bedridden and dying but is most likely recovering from cirrhosis of the liver.

Typical plot twists include one of the characters actually a federal investigator in disguise and another character being revealed to be "Mister Big" even though they have been providing comedy all along. "Auntie Em" Clara Blandick shows up briefly as a comic landlady, and there's some amusing dialog exchanges between Sterling and Reed. But a lot of the script features lines of speech which are senseless, as if the whole thing was rushed together. A lot longer than most "B" crime movies which MGM made during this time, and being six times longer than one of the "Crime Doesn't Pay Series" makes this seem stretched out to a needless length, ultimately making this one a major disappointment.
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