The Libertine is definitely not for the faint-hearted or those who are easily offended. For those who love great production values, storytelling and acting, The Libertine will be a treat. It may not be a personal favourite as of yet but I for one found it an exceptionally good film and think it doesn't get enough recognition.
It is a very meticulous-looking film, the photography is wonderfully moody yet sumptuous, the film has a very telling atmosphere and it really feels like you're transported back into the 17th century looking at the costumes and sets. Michael Nyman's score is understated and haunting, fitting beautifully with the atmosphere, though to me it could have used more music from the period which would have given off even more authenticity. The script is funny, thoughtful and packs emotional punch while the story while occasionally dragging is told rivetingly with scenes like the chair scene between Wilmot and Elizabeth, Wilmot's address to parliament and the final scene really lifted by the quality and the acting. Laurence Dunmore directs most admirably, remarkably good for a debut, inexperience occasionally shows but a vast majority of the time it's incredibly well done.
Characters are compelling, especially Wilmot who is very multi-layered, but if there was one thing that was truly exceptional about The Libertine it was the acting. Johnny Depp gives a powerhouse and multi-layered performance that ranks among his best. The dependable Samantha Morton marvels too, John Malkovich does stately and ambiguous in a suitably restrained and regal way while still maintaining interest and Rosamund Pike gives the most heartfelt performance I've ever seen her give(coming from someone who has liked a lot of what she's done), particularly a revelation in the chair scene. The chemistry throughout convinces though that between Depp and Pike came over personally as stronger than that between him and Morton.
All in all, a fine film if not for everybody and really deserves much more praise than it gets. 9/10 Bethany Cox
It is a very meticulous-looking film, the photography is wonderfully moody yet sumptuous, the film has a very telling atmosphere and it really feels like you're transported back into the 17th century looking at the costumes and sets. Michael Nyman's score is understated and haunting, fitting beautifully with the atmosphere, though to me it could have used more music from the period which would have given off even more authenticity. The script is funny, thoughtful and packs emotional punch while the story while occasionally dragging is told rivetingly with scenes like the chair scene between Wilmot and Elizabeth, Wilmot's address to parliament and the final scene really lifted by the quality and the acting. Laurence Dunmore directs most admirably, remarkably good for a debut, inexperience occasionally shows but a vast majority of the time it's incredibly well done.
Characters are compelling, especially Wilmot who is very multi-layered, but if there was one thing that was truly exceptional about The Libertine it was the acting. Johnny Depp gives a powerhouse and multi-layered performance that ranks among his best. The dependable Samantha Morton marvels too, John Malkovich does stately and ambiguous in a suitably restrained and regal way while still maintaining interest and Rosamund Pike gives the most heartfelt performance I've ever seen her give(coming from someone who has liked a lot of what she's done), particularly a revelation in the chair scene. The chemistry throughout convinces though that between Depp and Pike came over personally as stronger than that between him and Morton.
All in all, a fine film if not for everybody and really deserves much more praise than it gets. 9/10 Bethany Cox