A beautiful, evocative, complex movie. Possibly to have the full emotional impact on the viewer, it must find resonance in the store of memories of the viewer. I cannot say whether someone who grew up in an urban setting or in a different culture would be as affected, but there should be some degree of universality to the experience of bonding to another in childhood and facing the prospect of separation and the imperative to follow separate paths.
The young actors who play Jonah and Luke do a superb job and the few supporting cast are good, but the greatest superlatives go to the director, the writer and especially the cinematographer. The visual presentation with accompanying sounds, is almost overwhelming in quantity and effect. The surrounding woods and greenery, rain falling, polished wood floors and furniture, weathered wood out buildings , church bells, chiming clocks, a passing freight train and the sad sound of its horn, wind chimes, metal surfaces, the boys together, all stir memories either real or imagined. Its nuanced subtlety is far more powerful than would have been achieved through a series of more deliberate actions and excess dialogue. Rob Reiner's "Stand By Me" was a wonderful film that stirred memories of childhood and the coming to terms with inevitable change, but it pales in emotional impact compared to "Last Summer."
Luke carries the label of "slow learner" and is repeating some classes in high school in order to be done with school, but has no idea what he will do next. Outwardly he is at peace with himself, is resigned to Jonah leaving for college, prefers remaining in "the shade of his own backyard," but beneath the surface he is deeply saddened at the prospect of separating from Jonah. At one time he tells Jonah he only wants to be with him and suggests the optimistic possibility that Jonah could return one day. "This place isn't going anywhere. I'm not going anywhere." But inwardly he knows full well that Jonah will meet new people who will love him and will never return. Jonah asks Luke several times to tell him not to go, but Luke refuses. Luke tells a teacher that Jonah is too good for all this recognizing that "Some people feel so comfortable in one place, and others feel trapped." His love for Jonah and a mature understanding of their different natures and abilities prevents him from asking Jonah not to go. Jonah is equally conflicted by his love for Luke, his sense of happiness (when he learns he was adopted) that he was never meant to be in this place, his fear of change and his need to escape from the small town trap where he feels unrelated to everyone and to everything about him, aside from Luke.
A wonderful film that is sure to stir memories and emotions for many and I suppose fall flat for those with entirely different experiences or those who disdain sentiment. Certainly anyone who feels a good movie must have car chases, special effects and zombies will be disappointed.
I was going to give it a 9 since a 10 would imply perfection, but even after a second viewing I could think of nothing that would justify the loss of a perfect rating.
The young actors who play Jonah and Luke do a superb job and the few supporting cast are good, but the greatest superlatives go to the director, the writer and especially the cinematographer. The visual presentation with accompanying sounds, is almost overwhelming in quantity and effect. The surrounding woods and greenery, rain falling, polished wood floors and furniture, weathered wood out buildings , church bells, chiming clocks, a passing freight train and the sad sound of its horn, wind chimes, metal surfaces, the boys together, all stir memories either real or imagined. Its nuanced subtlety is far more powerful than would have been achieved through a series of more deliberate actions and excess dialogue. Rob Reiner's "Stand By Me" was a wonderful film that stirred memories of childhood and the coming to terms with inevitable change, but it pales in emotional impact compared to "Last Summer."
Luke carries the label of "slow learner" and is repeating some classes in high school in order to be done with school, but has no idea what he will do next. Outwardly he is at peace with himself, is resigned to Jonah leaving for college, prefers remaining in "the shade of his own backyard," but beneath the surface he is deeply saddened at the prospect of separating from Jonah. At one time he tells Jonah he only wants to be with him and suggests the optimistic possibility that Jonah could return one day. "This place isn't going anywhere. I'm not going anywhere." But inwardly he knows full well that Jonah will meet new people who will love him and will never return. Jonah asks Luke several times to tell him not to go, but Luke refuses. Luke tells a teacher that Jonah is too good for all this recognizing that "Some people feel so comfortable in one place, and others feel trapped." His love for Jonah and a mature understanding of their different natures and abilities prevents him from asking Jonah not to go. Jonah is equally conflicted by his love for Luke, his sense of happiness (when he learns he was adopted) that he was never meant to be in this place, his fear of change and his need to escape from the small town trap where he feels unrelated to everyone and to everything about him, aside from Luke.
A wonderful film that is sure to stir memories and emotions for many and I suppose fall flat for those with entirely different experiences or those who disdain sentiment. Certainly anyone who feels a good movie must have car chases, special effects and zombies will be disappointed.
I was going to give it a 9 since a 10 would imply perfection, but even after a second viewing I could think of nothing that would justify the loss of a perfect rating.