The Turn of the Screw (1974 TV Movie)
10/10
Great ghost story, beautifully rendered...
11 April 2015
Warning: Spoilers
THE TURN OF THE SCREW was a natural for Dan Curtis: his groundbreaking soap opera DARK SHADOWS was essentially spawned by the Henry James story; the parallels are obvious. What makes THE TURN OF THE SCREW Scary-Plus are Curtis's patented touches: the jolting glimpses of figures believed to be dead standing outside in the darkness, staring in at the governess, Jane Cubberly (Lynn Redgrave), the sight(s) punctuated by thunderclaps or the patented Robert Cobert score. It was great to see the Eternally Beautiful Kathryn Leigh Scott as the sinister apparition, "Miss Jessel." The scenes of her hovering near the pond are every bit as chilling as the same scenes in the Jack Clayton version, THE INNOCENTS. Says Jane in the narration: "She was like a great black bird of prey hovering there. A dead thing returned." And let's not forget the two kids, who manage to more than hold their own with the likes of Miss Redgrave and the other adult cast members. Says the boy, Miles (who blinds and then gleefully kills a frog): "Will evil be good and good evil?" "Death is as real as life," he adds: "Sometimes I frighten myself..." During a recital, he refers to "those of us who love the darkness." "You talk of saving me," he chides Jane: "But tell me who, dear lady, is to save YOU...?" To some (especially those whose television upbringings have left them with short attention spans), THE TURN OF THE SCREW may seem sedate, but it nonetheless drips with lingering Menace. Done in the patented Dan Curtis fashion, it's yet another of television's high points.
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