This little-seen film blends together a myriad of classic horror themes, such as ghosts, crawling hands, wrong doings and curses. It's a classic example of British horror, set in a standard haunted house (there's even a graveyard nearby). Early '70s fashions are sadly non-existent here, as it's a period piece and all the costumes are of the historical variety, although there's nothing wrong with that. While the plot for the film is a typical (and dare I say clichéd) one, it has plenty of incident to keep it moving and loads of different ingredients to make it enjoyable. However, the winning formula for this film is the cast.
Ian Ogilvy (WITCHFINDER GENERAL), Stephanie Beacham (INSEMINOID), Patrick Magee (DEMENTIA 13), and Herbert Lom (ASYLUM) all act convincingly and enjoyably in their roles. Ogilvy doesn't get to do much but look haunted as the husband, but Beacham is on top form here, giving it her all as the screaming victim. Magee is fine as usual, while the fantastic Lom adds yet another cruel character to his resumé. As soon as Peter Cushing arrives, playing a doctor with a dodgy toupee, the fun really begins and things get even better. Cushing's performance is as usual, excellent, but all performances from a cast well familiar to the horror fan are varied and good.
The sheer diversity of different ingredients in this film make it work, and I advise you to sit it through in order to witness a most amusing moment at the end, when Ian Ogilvy dashes Herbert Lom's skeleton apart against his tomb - serve him right, the nasty old man. You also get the classic "crawling hand" prop, which was reused by various studios throughout the 60's and 70's - spotting it is half the fun! AND NOW THE SCREAMING STARTS may not break any new boundaries in the horror genre but it's a good, solid, old-fashioned ghost story and it's very entertaining, with exactly the same quaint and brooding atmosphere as a quality Hammer horror piece.
Ian Ogilvy (WITCHFINDER GENERAL), Stephanie Beacham (INSEMINOID), Patrick Magee (DEMENTIA 13), and Herbert Lom (ASYLUM) all act convincingly and enjoyably in their roles. Ogilvy doesn't get to do much but look haunted as the husband, but Beacham is on top form here, giving it her all as the screaming victim. Magee is fine as usual, while the fantastic Lom adds yet another cruel character to his resumé. As soon as Peter Cushing arrives, playing a doctor with a dodgy toupee, the fun really begins and things get even better. Cushing's performance is as usual, excellent, but all performances from a cast well familiar to the horror fan are varied and good.
The sheer diversity of different ingredients in this film make it work, and I advise you to sit it through in order to witness a most amusing moment at the end, when Ian Ogilvy dashes Herbert Lom's skeleton apart against his tomb - serve him right, the nasty old man. You also get the classic "crawling hand" prop, which was reused by various studios throughout the 60's and 70's - spotting it is half the fun! AND NOW THE SCREAMING STARTS may not break any new boundaries in the horror genre but it's a good, solid, old-fashioned ghost story and it's very entertaining, with exactly the same quaint and brooding atmosphere as a quality Hammer horror piece.