Unhappy family moves into an old house while the father lies comatose in hospital. But the house is cursed by the spirit of a wronged mother.
OK, it's low budget but ... sigh. Doesn't anyone in Britain watch indie-American or French horror? Does everything have to be heritage ghostery, or Up Yours! soap opera?
The story does get its spooks on at about 40 mins, with an effective inter-cut of brother/sister/father, and the dialogue thins out as the director finally uses the camera. I won't mention what went before. Couple of badly timed jump scares - the first is literal, the second imitates a scene in Jessabelle.
It's hard on actors when they're presented with a mess, so I can't judge how good they are - except Eva the blind visionary was convincing: she had timing, and the visual of candle flames for eyes was a good touch. Actors are there to act, not overact.
Sad to be harsh, but the writing, direction and editing caused a sharp intake of breath. Use of music was just cheese - see the prologue for evidence. Pfff.
Keep it simple: ditch half the dialogue, a third of the characters, and a quarter of the runtime. Then carve out a clear story through sound and editing.
OK, it's low budget but ... sigh. Doesn't anyone in Britain watch indie-American or French horror? Does everything have to be heritage ghostery, or Up Yours! soap opera?
The story does get its spooks on at about 40 mins, with an effective inter-cut of brother/sister/father, and the dialogue thins out as the director finally uses the camera. I won't mention what went before. Couple of badly timed jump scares - the first is literal, the second imitates a scene in Jessabelle.
It's hard on actors when they're presented with a mess, so I can't judge how good they are - except Eva the blind visionary was convincing: she had timing, and the visual of candle flames for eyes was a good touch. Actors are there to act, not overact.
Sad to be harsh, but the writing, direction and editing caused a sharp intake of breath. Use of music was just cheese - see the prologue for evidence. Pfff.
Keep it simple: ditch half the dialogue, a third of the characters, and a quarter of the runtime. Then carve out a clear story through sound and editing.