It is unusual to see scrappy direction from Pabst, but I was disappointed with this film. What is interesting about this film is Shalyapin.
In opera, and folksong, Shalyapin took the art of acting seriously. He would jump into the skin of the character he was playing or of the narrator of a song. He was almost like Lon Chaney, when it came to costume.
Here the great man sings in English, and seems to be ideal as the pathetic character who sells all he has, to buy books of knightly romances; then, with his servant, Sancho Panza, sets out to do good deeds.
Shalyapin's English is excellent, and he speaks and sings with a heavy accent that is Russian, tinged with the accent of the country in which he lived in exile - France.
George Robey, with his music hall accent, who was beginning to shake off his "coward" image (He was a conscientious objector during the first world war) plays Sancho Panza.
Shalyapin does sing some songs in this scrappy production; but, unlike, Pabst, he does not leave us disappointed.
In opera, and folksong, Shalyapin took the art of acting seriously. He would jump into the skin of the character he was playing or of the narrator of a song. He was almost like Lon Chaney, when it came to costume.
Here the great man sings in English, and seems to be ideal as the pathetic character who sells all he has, to buy books of knightly romances; then, with his servant, Sancho Panza, sets out to do good deeds.
Shalyapin's English is excellent, and he speaks and sings with a heavy accent that is Russian, tinged with the accent of the country in which he lived in exile - France.
George Robey, with his music hall accent, who was beginning to shake off his "coward" image (He was a conscientious objector during the first world war) plays Sancho Panza.
Shalyapin does sing some songs in this scrappy production; but, unlike, Pabst, he does not leave us disappointed.