9/10
achromatic evenness
11 July 2015
The second installation in Krzysztof Kieślowski's Three Colors trilogy is considered an anti-comedy. Continuing the theme of France's national motto (liberty, equality, fraternity), "Trois couleurs: Blanc" ("Three Colors: White" in English) looks at equality, as a divorced man returns to his native Poland and eventually decides to get even with his ex-wife.

As in the first installment, Kieślowski uses the title color to tell the story. This color that is a combination of all the other colors appears in almost every scene. "White" continues the first movie's theme of trying to break away from the past, while there remains an object serving as a link to the past. "Blue" had the blue beads, while this one has the two-franc coin. In the end, one might interpret the man's ethically questionable business practices as a warning about going overboard in reforming Poland's economy after the Soviet-backed regime collapsed.

I actually didn't find "White" to be quite as good as "Blue" (I have yet to see "Red"). The previous one focused on the woman's attempts to make a new life for herself, while this one makes the man look like the victim. Not that these turn it into a bad movie. The worst Krzysztof Kieślowski movie is better than the best Michael Bay movie. I recommend the movie. I'm now eager to see "Red".
2 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed