I didn't care much for Gone Girl -- maybe it was Ben Affleck -- but I was drawn to this movie despite that. Maybe it was Charlize Theron, maybe it was Nicholas Hoult, whom I have enjoyed watching grow into a first rate actor since his days in Skins. In any case, whatever reservations I had at first rapidly dissolved into a distant memory as the first ten minutes passed.
Usually I roll my eyes at flashback-driven efforts, but not so with Dark Places. Each switch back to 1985 is like the tumblers on a lock giving that satisfying click as you pick it, breeding anticipation and certainty that there is a rich reward at the end for your efforts, every scene evoking a subtle revelation that drives the story onward.
Well cast, well scored, well directed, Dark Places deserves more recognition than it has garnered. If I had to point out one flaw, it would be a forgivable one; MISFITS swag was not that easy to come by in 1985.
Usually I roll my eyes at flashback-driven efforts, but not so with Dark Places. Each switch back to 1985 is like the tumblers on a lock giving that satisfying click as you pick it, breeding anticipation and certainty that there is a rich reward at the end for your efforts, every scene evoking a subtle revelation that drives the story onward.
Well cast, well scored, well directed, Dark Places deserves more recognition than it has garnered. If I had to point out one flaw, it would be a forgivable one; MISFITS swag was not that easy to come by in 1985.