Don't ask me why, but I watched this movie twice. Maybe because it was set in Denver, where I grew up. The setting of this story seemed to be a very different place from the city of Denver familiar to me. Or perhaps I watched this production a second time simply to verify that this was not a great film. Fait accompli.
There was some good acting in this production, no doubt, but the characters were almost all caricatures. And then there's the story itself. The Andy Garcia character has managed to extricate himself from the world of the mob and "go civilian". But then his old boss has him chased down to do one final "action"—not a "work", but an "action". He is supposed to not kill but frighten away the lover of the boss's son's former girlfriend so that the son (who has become a pederast--what?) can be reunited with the love of his life.
Who does the Andy Garcia character call on to help him carry out the "action"? A team of misfit losers, all of whom have done time in prison and are therefore of questionable competence. Predictably, the incompetent team members prove incompetent here as well, and end up killing not only the guy whom they are supposed to scare, but also his girlfriend.
The boss, who is a paralyzed, ghoulish Christopher Walken character, decides to "buckwheat" the lot of them, which we are told means make them suffer before they die. However, he gives the Andy Garcia character the opportunity just to leave town, which he ends up not doing because he's too busy trying to save all of the others.
There is so much detail to this densely embellished story, but none of it really adds up to anything. I feel as though the screenwriter was trying to jam all of his interesting ideas into a single script. Sometimes less is more, and this story could have benefited from the removal of some of the colorful but ultimately irrelevant "script- stuff", for lack of a better expression.
Did the son of the boss really have to be a pederast? Did the Vietnam Vet really have to use corpses as his punching bag? It was all too much. Like eating a dozen donuts and a bag of potato chips and a submarine sandwich and a candy bar, and maybe washing it all down with a couple of beers.
Steve Buscemi makes a short appearance (maybe that's why I gave this a second chance?), and there is a sort of happy ending when the druggy- prostitute pregnant survivor of the story moves to Florida to raise her child and become a masseuse.
Honestly, I don't even know what is worth reporting here. It would take way too many words! So let me just end by avowing that I definitely will not give this high-calorie, low nutrient production a third try.
There was some good acting in this production, no doubt, but the characters were almost all caricatures. And then there's the story itself. The Andy Garcia character has managed to extricate himself from the world of the mob and "go civilian". But then his old boss has him chased down to do one final "action"—not a "work", but an "action". He is supposed to not kill but frighten away the lover of the boss's son's former girlfriend so that the son (who has become a pederast--what?) can be reunited with the love of his life.
Who does the Andy Garcia character call on to help him carry out the "action"? A team of misfit losers, all of whom have done time in prison and are therefore of questionable competence. Predictably, the incompetent team members prove incompetent here as well, and end up killing not only the guy whom they are supposed to scare, but also his girlfriend.
The boss, who is a paralyzed, ghoulish Christopher Walken character, decides to "buckwheat" the lot of them, which we are told means make them suffer before they die. However, he gives the Andy Garcia character the opportunity just to leave town, which he ends up not doing because he's too busy trying to save all of the others.
There is so much detail to this densely embellished story, but none of it really adds up to anything. I feel as though the screenwriter was trying to jam all of his interesting ideas into a single script. Sometimes less is more, and this story could have benefited from the removal of some of the colorful but ultimately irrelevant "script- stuff", for lack of a better expression.
Did the son of the boss really have to be a pederast? Did the Vietnam Vet really have to use corpses as his punching bag? It was all too much. Like eating a dozen donuts and a bag of potato chips and a submarine sandwich and a candy bar, and maybe washing it all down with a couple of beers.
Steve Buscemi makes a short appearance (maybe that's why I gave this a second chance?), and there is a sort of happy ending when the druggy- prostitute pregnant survivor of the story moves to Florida to raise her child and become a masseuse.
Honestly, I don't even know what is worth reporting here. It would take way too many words! So let me just end by avowing that I definitely will not give this high-calorie, low nutrient production a third try.