I'm not going to waste your time and pretend that I was one of those watching this cancelled HBO sitcoms when it was broadcast almost ten years ago; like most people who have seen it, I came to this show relatively recently thanks to Louis CK's FX show and his various (well priced) live shows. It is an odd feeling to watch this show looking back, because unlike this most recent work, this is very much studio-set sitcom with a live studio audience. At first it was hard to get into, and I admit I started the pilot with reservations over the very dated look, and very basic sets. Frankly as well, the very 'sitcom' aesthetics and structure to the whole thing put me off a little, because generally I am not one for network sitcoms, even if I do watch a few.
However, below the surface, Lucky Louie is essentially the show Louie transposed into a sitcom and given greater structure, and forced to actually have jokes. As much as I do enjoy his much more freeform show now, this sitcom structure actually works very well because it means the show not only does what his later show would do, but it has more robust narratives, a better structure around the family unit, and with more direct jokes. The show is crude, it is impatient, it is dirty, it is lazy, and it is just about getting by – all of which is very much the opposite of sitcoms, not least of which Friends, which had been the dominant example for near enough a decade before this show aired. In terms of writing it is exaggerated of course, and it is crude, but it has that sense of honesty about its characters and situations which I found really quite engaging and refreshing.
With this element at its heart the show is strong, but what really made it work was that it was consistently funny and well played out. Some of the characters really didn't work for me, but the core unit was strong and most of the narratives flow around Louie and Kim, with others just supporting. There are really no weak links in the cast though, and everyone is funny, on-point, and served with consistently good material. The basic set is something I got used to as part of the charm of the show (and the genre it is within), while the laugh track generally works even if personally I don't care for shows that use them.
It is a great sitcom though, as it manages to embrace and subvert the norms of the genre, bringing the darker, frustrated humor of Louie, but giving it greater structure and sharper (actual) jokes. Remarkable to see also that 10 years has really not affected it in any way, as it feels fresh, challenging and relevant even if it screened now.
However, below the surface, Lucky Louie is essentially the show Louie transposed into a sitcom and given greater structure, and forced to actually have jokes. As much as I do enjoy his much more freeform show now, this sitcom structure actually works very well because it means the show not only does what his later show would do, but it has more robust narratives, a better structure around the family unit, and with more direct jokes. The show is crude, it is impatient, it is dirty, it is lazy, and it is just about getting by – all of which is very much the opposite of sitcoms, not least of which Friends, which had been the dominant example for near enough a decade before this show aired. In terms of writing it is exaggerated of course, and it is crude, but it has that sense of honesty about its characters and situations which I found really quite engaging and refreshing.
With this element at its heart the show is strong, but what really made it work was that it was consistently funny and well played out. Some of the characters really didn't work for me, but the core unit was strong and most of the narratives flow around Louie and Kim, with others just supporting. There are really no weak links in the cast though, and everyone is funny, on-point, and served with consistently good material. The basic set is something I got used to as part of the charm of the show (and the genre it is within), while the laugh track generally works even if personally I don't care for shows that use them.
It is a great sitcom though, as it manages to embrace and subvert the norms of the genre, bringing the darker, frustrated humor of Louie, but giving it greater structure and sharper (actual) jokes. Remarkable to see also that 10 years has really not affected it in any way, as it feels fresh, challenging and relevant even if it screened now.