Call me a philistine but, I really don't care about the early movies that primary focus on a star, whether it's Marlene Dietrich, Greta Garbo or Asta Nielsen. Everybody is raving about their 'marvelous' performances, but a performance alone doesn't make a great movie, especially if the characters are flat and the plot barely existing. The director can spend as much time as he wants to light an actresses face as beautiful as possible,but this time would be better spent on character development or something that makes the movie worth watching.
I'm not saying Josef von Sternberg is a bad director, ''Der blaue Engel'', his first collaboration with Dietrich, was a great movie. The difference between this movie and ''Morocco'' is that it has an interesting plot and Emil Jannings character actually has an arc which develops beautifully and is foreshadowed in early scenes.
But ''Morocco'' isn't without any merits. The kissing-scene must have been shocking for audiences back then and even if you watch this scene today you definitely won't expect this from a movie from this time. Props to Dietrich to be this daring. Another great moment was the scene when Dietrich rushes to visit Gary Cooper in the hospital and the pearl necklace rips, which is a great moment of character building that, unfortunately, is rare in this film.
The scene that will stuck most with me and probably with most people who have seen this film is the ending. The buildup when Dietrich stands at the gate and the soldiers are marching into the desert looks fantastic, which is followed by an even better shot of Dietrich walking behind the last dune and the entire frame is filled with the desert and the sound of a storm approaching.
Considering the good scenes, it is a shame that the rest of the film is mediocre at best and could not be saved by the fantastic ending.
I'm not saying Josef von Sternberg is a bad director, ''Der blaue Engel'', his first collaboration with Dietrich, was a great movie. The difference between this movie and ''Morocco'' is that it has an interesting plot and Emil Jannings character actually has an arc which develops beautifully and is foreshadowed in early scenes.
But ''Morocco'' isn't without any merits. The kissing-scene must have been shocking for audiences back then and even if you watch this scene today you definitely won't expect this from a movie from this time. Props to Dietrich to be this daring. Another great moment was the scene when Dietrich rushes to visit Gary Cooper in the hospital and the pearl necklace rips, which is a great moment of character building that, unfortunately, is rare in this film.
The scene that will stuck most with me and probably with most people who have seen this film is the ending. The buildup when Dietrich stands at the gate and the soldiers are marching into the desert looks fantastic, which is followed by an even better shot of Dietrich walking behind the last dune and the entire frame is filled with the desert and the sound of a storm approaching.
Considering the good scenes, it is a shame that the rest of the film is mediocre at best and could not be saved by the fantastic ending.