Bert Harris (James Cagney) is a bellhop at a small town hotel. When a looker (Joan Blondell as Anne Roberts) arrives, he arranges for her employment in the housekeeping department.
Bert is a schemer who is loose with the truth and has a love of the ladies. He says, "The world owes me a living." Despite the fact Bert is "not a collar ad", Anne is intrigued by his persona. But she is a good girl, immune to his advances. Still, they become partners and use a small-time frame to finance their move to a larger city.
Being a fan of films about grifting, I really enjoy this film, which includes multiple examples of the con. The stakes get higher as the story continues. One con is reminiscent of "The Sting".
It is also fun to watch pre-Code films, with their peculiar characteristics and their vernacular. Bert, though a criminal, displays an odd code of ethics that is central to the story, though unacceptable by Hays' standards.
Cagney displays his usual bluster and bravado. Blondell is charming. Watch for the very young Ray Milland.
Bert is a schemer who is loose with the truth and has a love of the ladies. He says, "The world owes me a living." Despite the fact Bert is "not a collar ad", Anne is intrigued by his persona. But she is a good girl, immune to his advances. Still, they become partners and use a small-time frame to finance their move to a larger city.
Being a fan of films about grifting, I really enjoy this film, which includes multiple examples of the con. The stakes get higher as the story continues. One con is reminiscent of "The Sting".
It is also fun to watch pre-Code films, with their peculiar characteristics and their vernacular. Bert, though a criminal, displays an odd code of ethics that is central to the story, though unacceptable by Hays' standards.
Cagney displays his usual bluster and bravado. Blondell is charming. Watch for the very young Ray Milland.