Finally we have a decent X-Men origin story with plenty of heart, spirit, chemistry, and good connections with the original source. The baffling thing is that we receive this gift in the form of the most incoherent and random Marvel character in the entire universe. The character that least requires an explanation gets the most structured and most engaging Fox Marvel film since X-Men 2. But of course, the behind-the-scenes licensing drama and the infuriatingly small budget (compared to what the storyline demands) entangle the film quite a bit.
Ryan Reynolds might be the only man in the history of film to totally mess up a cinematic character, and then get a second chance at getting it right by starting entirely from scratch. With the rated R guaranteed and a looser approach to Deadpool, Reynolds knocks it out of the park with a much more accurate performance, and one with plenty of depth and sympathetic pull. His chemistry with the rest of the cast reminds you why he's much better unhinged and uncut (Waiting, Adventureland).
Reynolds has actually been the main catalyst at making sure that he helped right the wrongs caused by X-Men Origins. He helped fight to keep the R rating, helped increase the (already small) budget to make this a reality, and has helped craft the flood of social media hype. The hard R rating was the biggest requirement in making this film work; the story and mannerisms of Deadpool are not for the faint of heart. Deadpool is far more in the realm of Spawn as opposed to Fantastic Four in terms of adult content.
The script is formulaic in nature, but fresh with crisp dialogue, great one-liners, constant shifts in timeline, and plenty of fun sidekicks to be entertained by. Sadly, because of obvious budget constraints, we are treated to only two major action sequences (the first one overshadows the finale by a long shot), not a single major X-Men cameo, throwaway villains, and most of the time being spent on the creating of Deadpool as opposed to the anarchy that follows. 10 years of production hell and dozens of re-writes could doom most screenplays, but Rhett Reese and Paul Wernick do a great job saving whatever was left.
The biggest achievement of Deadpool is how closely it resembles the source material and personality despite getting less money. If you enjoy Deadpool in the comics, you'll enjoy him here as well---even if the eccentricity is toned down just slightly enough to keep the plot structured. The action is intense, the injuries are gruesome, the humor is dark and crude, and the movie never really takes itself seriously. Fourth walls go down, it reveals its own production setbacks within the film, and it has this kinetic comic book flavored energy that hardly ever slows.
It might be a case of less money = more freedom, but the lack of funding really tarnishes the movie. Part of the glee of Deadpool in the Marvel universe is his wild interactions with other characters, especially the X-Men. But to put Deadpool in the same supposed Marvel universe as the X-Men and then refuse to have any of the popular characters join in on the fun is baffling and infuriating. Even worse is that we have long-unused X-Men like Gambit (especially) and Cable available. In a tragic case of the production team having more faith than the studio itself, the limitations aren't obvious but become apparent once the final act rolls in and you are left desiring more Deadpool chaos.
As a risqué, adult version of The Little Engine That Could, this was a comic book film that was supposedly doomed, expected to fail, and was released with minimal hope---only to be saved because of the strength of the Marvel brand, the incredible online/Reynolds marketing campaign, and a legitimate effort to stay true to the source. Great cast, great energy, and great humor is restricted because of Fox and the ridiculous guidelines everyone has been forced to follow since Disney purchased the property. Deadpool can become a successful franchise as long as they are willing to tie him closer to the rest of the X-Men and Marvel movies---and as long as we keep the same dedicated staff. Don't expect pure unadulterated crazy here; but do expect a great blend of crazy, heart, and entertainment---wrapped together in a limited budget.
Most importantly, this is much, much better than X-Men Origins: Wolverine.
Ryan Reynolds might be the only man in the history of film to totally mess up a cinematic character, and then get a second chance at getting it right by starting entirely from scratch. With the rated R guaranteed and a looser approach to Deadpool, Reynolds knocks it out of the park with a much more accurate performance, and one with plenty of depth and sympathetic pull. His chemistry with the rest of the cast reminds you why he's much better unhinged and uncut (Waiting, Adventureland).
Reynolds has actually been the main catalyst at making sure that he helped right the wrongs caused by X-Men Origins. He helped fight to keep the R rating, helped increase the (already small) budget to make this a reality, and has helped craft the flood of social media hype. The hard R rating was the biggest requirement in making this film work; the story and mannerisms of Deadpool are not for the faint of heart. Deadpool is far more in the realm of Spawn as opposed to Fantastic Four in terms of adult content.
The script is formulaic in nature, but fresh with crisp dialogue, great one-liners, constant shifts in timeline, and plenty of fun sidekicks to be entertained by. Sadly, because of obvious budget constraints, we are treated to only two major action sequences (the first one overshadows the finale by a long shot), not a single major X-Men cameo, throwaway villains, and most of the time being spent on the creating of Deadpool as opposed to the anarchy that follows. 10 years of production hell and dozens of re-writes could doom most screenplays, but Rhett Reese and Paul Wernick do a great job saving whatever was left.
The biggest achievement of Deadpool is how closely it resembles the source material and personality despite getting less money. If you enjoy Deadpool in the comics, you'll enjoy him here as well---even if the eccentricity is toned down just slightly enough to keep the plot structured. The action is intense, the injuries are gruesome, the humor is dark and crude, and the movie never really takes itself seriously. Fourth walls go down, it reveals its own production setbacks within the film, and it has this kinetic comic book flavored energy that hardly ever slows.
It might be a case of less money = more freedom, but the lack of funding really tarnishes the movie. Part of the glee of Deadpool in the Marvel universe is his wild interactions with other characters, especially the X-Men. But to put Deadpool in the same supposed Marvel universe as the X-Men and then refuse to have any of the popular characters join in on the fun is baffling and infuriating. Even worse is that we have long-unused X-Men like Gambit (especially) and Cable available. In a tragic case of the production team having more faith than the studio itself, the limitations aren't obvious but become apparent once the final act rolls in and you are left desiring more Deadpool chaos.
As a risqué, adult version of The Little Engine That Could, this was a comic book film that was supposedly doomed, expected to fail, and was released with minimal hope---only to be saved because of the strength of the Marvel brand, the incredible online/Reynolds marketing campaign, and a legitimate effort to stay true to the source. Great cast, great energy, and great humor is restricted because of Fox and the ridiculous guidelines everyone has been forced to follow since Disney purchased the property. Deadpool can become a successful franchise as long as they are willing to tie him closer to the rest of the X-Men and Marvel movies---and as long as we keep the same dedicated staff. Don't expect pure unadulterated crazy here; but do expect a great blend of crazy, heart, and entertainment---wrapped together in a limited budget.
Most importantly, this is much, much better than X-Men Origins: Wolverine.