Rock Hudson is entrepreneur David Shelby in this production, legendary independent filmmaker Roger Cormans' (belated) contribution to the cycle of disaster films in the 1970s. David doesn't want to let anything stand in the way of his dreams, and he's also still hung up on his younger, estranged ex-wife Caroline Brace (Mia Farrow). David owns & operates a thriving ski resort, and makes the fateful move of deciding to clear some trees from the mountain. Know it all photographer Nick Thorne (Robert Forster) is aware that this is unwise, but his warnings fall on deaf ears. This, of course, paves the way for the event of the title to eventually take place.
Yes, the script to this one (by actor turned director Corey Allen and Claude Pola) is uninspired, and one does grow impatient getting through the not terribly interesting stories of the characters. Yes, the acting in "Avalanche" is not so hot, but the actors & characters remain reasonably likable. There are no real villains here; some of the people may make questionable decisions, but there were very few characters that this viewer wanted to die horribly. The photography by Pierre-William Glenn of the wintry landscapes *is* first rate, and may provide some sustenance for viewers who are otherwise bored with the movie. The music by William Kraft also serves its purpose.
If one is able to get through the opening half of "Avalanche", they might find the resulting mayhem watchable. The avalanche action is mostly stock footage combined with original footage handled by the very capable, under rated director Lewis Teague, and the action scenes are pretty decent, even if the special effects aren't always up to snuff.
There are some fine actors in this thing, even if they're not utilized all that well. Jeanette Nolan plays Davids' lively mother, Rick Moses the conceited star skier Bruce Scott, Steve Franken the perpetually worried looking Henry McDade, Barry Primus the nice guy sportscaster Mark Elliott, and Antony Carbone is Leo the coach.
"Avalanche" may, in the end, be more for completists of this short lived genre than fans, but it's not totally without entertainment value.
Seven out of 10.
Yes, the script to this one (by actor turned director Corey Allen and Claude Pola) is uninspired, and one does grow impatient getting through the not terribly interesting stories of the characters. Yes, the acting in "Avalanche" is not so hot, but the actors & characters remain reasonably likable. There are no real villains here; some of the people may make questionable decisions, but there were very few characters that this viewer wanted to die horribly. The photography by Pierre-William Glenn of the wintry landscapes *is* first rate, and may provide some sustenance for viewers who are otherwise bored with the movie. The music by William Kraft also serves its purpose.
If one is able to get through the opening half of "Avalanche", they might find the resulting mayhem watchable. The avalanche action is mostly stock footage combined with original footage handled by the very capable, under rated director Lewis Teague, and the action scenes are pretty decent, even if the special effects aren't always up to snuff.
There are some fine actors in this thing, even if they're not utilized all that well. Jeanette Nolan plays Davids' lively mother, Rick Moses the conceited star skier Bruce Scott, Steve Franken the perpetually worried looking Henry McDade, Barry Primus the nice guy sportscaster Mark Elliott, and Antony Carbone is Leo the coach.
"Avalanche" may, in the end, be more for completists of this short lived genre than fans, but it's not totally without entertainment value.
Seven out of 10.