Top thrills from writer/director John Gilling come to us courtesy of this black and white British crime thriller, which features a nicely-tuned leading performance from character actor Anthony Quayle, a man who never disappoints with his mannered and focused acting style. Quayle plays a mild-mannered family man who gets involved with an unlikely femme fatale and a gang of robbers and is involved in a violent heist. He escapes with the loot and manages to bury it, but somebody calls the police and he's sent off to jail for eight years.
The story picks up on his release, where he finds the gang are desperate to lay their hands on the loot and will do anything to facilitate that end. The story goes from there. What's immediately apparent is that THE CHALLENGE is a very good film of its type, certainly much better than the earlier efforts directed by Gilling which suffered from tiny budgets. THE CHALLENGE has more money put into it and it shows, with plentiful action and lots of different locations, both indoor and out.
Unfortunately it appears that a number of reviewers have condemned this film as a cheap piece of derivative trash. They appear to have watched the movie as it contains an early role for American starlet Jayne Mansfield, but in their condemnation they don't have anything to compare the film with. You can't contrast this type of movie with the big budget American film noir flicks or even French classics like RIFIFI; of course it's going to look inferior, but trust me, THE CHALLENGE is a strong entry in its genre.
It's fair to say that Mansfield is pretty unconvincing as the femme fatale/gangster's moll in this film, although as ever her figure is quite arresting. The silly wig she wears for part of the running time is quite distracting. Still, the supporting cast are fine: Carl Mohner is frightening as the ruthless thug; Dermot Walsh gets to be on the right side of the law for once; Percy Herbert has a wonderful little turn as a boozy worker; Barbara Mullen is memorable as the stressed-out mother in law; and Edward Judd makes his impact as the two-fisted cop. THE CHALLENGE fills its running time with many suspenseful moments, a taut premise (particularly in the second half), fine action, and great twists. I really liked it.
The story picks up on his release, where he finds the gang are desperate to lay their hands on the loot and will do anything to facilitate that end. The story goes from there. What's immediately apparent is that THE CHALLENGE is a very good film of its type, certainly much better than the earlier efforts directed by Gilling which suffered from tiny budgets. THE CHALLENGE has more money put into it and it shows, with plentiful action and lots of different locations, both indoor and out.
Unfortunately it appears that a number of reviewers have condemned this film as a cheap piece of derivative trash. They appear to have watched the movie as it contains an early role for American starlet Jayne Mansfield, but in their condemnation they don't have anything to compare the film with. You can't contrast this type of movie with the big budget American film noir flicks or even French classics like RIFIFI; of course it's going to look inferior, but trust me, THE CHALLENGE is a strong entry in its genre.
It's fair to say that Mansfield is pretty unconvincing as the femme fatale/gangster's moll in this film, although as ever her figure is quite arresting. The silly wig she wears for part of the running time is quite distracting. Still, the supporting cast are fine: Carl Mohner is frightening as the ruthless thug; Dermot Walsh gets to be on the right side of the law for once; Percy Herbert has a wonderful little turn as a boozy worker; Barbara Mullen is memorable as the stressed-out mother in law; and Edward Judd makes his impact as the two-fisted cop. THE CHALLENGE fills its running time with many suspenseful moments, a taut premise (particularly in the second half), fine action, and great twists. I really liked it.