7/10
Not one of Debbie's best, but...
14 September 2016
Warning: Spoilers
A knockabout "comedy" with some too-very-much slapsticky antics from Tony Randall, which are so overdone that he outstays his initial welcome. Fred Clark and Philip Ober have some nice moments and the climax is reasonably entertaining, even if predictable once Debbie shows Tony that receipt which he tosses so casually aside (some bird- dog, he is!). Paul Douglas makes the mildly risqué jokes, Una Merkel stooges and Debbie Reynolds has the title song and a few bars of Cole Porter's "Under My Skin". Aside from some unflattering close-ups, Debbie looks grand. But George Marshall's direction is strictly routine even on just a low yoke-yoke level – as are other credits which waste Cinemascope on what is basically a minor, flat-footed domestic monkeyshine, a sort of very moderate "A" re-visit to a Ma and Pa Kettle "B". It's hard to believe this script was actually based on an H.E. Bates novel!
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