What an underrated film!
Symbols: a chair in an open field that survives years, the lure of eyes of a woman/wife, and a bleeding, pregnant rat!
This is a film about love between a man and a woman, a husband and a wife--and how it lasts for ever.
This is also a film about a dying father and son, of a mute elderly mother and a daughter.
The chair, the eyes, and the rat are all essential to the film. The chair is repeatedly shown. Eyes are mentioned by Ivan's father about Ivan's dead mother. Eyes are essential to the song sung twice by Keith Carradine's character. Rats are symbolic of past, present and future of Ivan's sexual life.
Into the film, perceptive viewers could compare and contrast the two different reactions of Ivan when two Maria's lovers taunt him. Yet the film is more about Maria and less about Ivan.
Very Russian, very European, though the settings are American. The soul of Russian literary giants permeate through the film. A lovely shot towards the end is the silhouette of father (Mitchum) and son (Savage). You can get the feel of Tarkovsky's friend and colleague at work. It is sad the film has not been noticed/applauded better.
Symbols: a chair in an open field that survives years, the lure of eyes of a woman/wife, and a bleeding, pregnant rat!
This is a film about love between a man and a woman, a husband and a wife--and how it lasts for ever.
This is also a film about a dying father and son, of a mute elderly mother and a daughter.
The chair, the eyes, and the rat are all essential to the film. The chair is repeatedly shown. Eyes are mentioned by Ivan's father about Ivan's dead mother. Eyes are essential to the song sung twice by Keith Carradine's character. Rats are symbolic of past, present and future of Ivan's sexual life.
Into the film, perceptive viewers could compare and contrast the two different reactions of Ivan when two Maria's lovers taunt him. Yet the film is more about Maria and less about Ivan.
Very Russian, very European, though the settings are American. The soul of Russian literary giants permeate through the film. A lovely shot towards the end is the silhouette of father (Mitchum) and son (Savage). You can get the feel of Tarkovsky's friend and colleague at work. It is sad the film has not been noticed/applauded better.